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Audio Signals & Psychoacoustics - MUS00098M

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  • Department: Music
  • Module co-ordinator: Prof. Jude Brereton
  • Credit value: 20 credits
  • Credit level: M
  • Academic year of delivery: 2024-25
    • See module specification for other years: 2023-24

Module summary

To be both artistically and technically accomplished, music producers and sound engineers need to acquire fundamental knowledge in sound science and experiential knowledge in audio technology. This module is designed to enhance students’ creative uses of our facilities and foster their technical freedom. Its integrated pedagogy will allow them to make appropriate sound choices for a large range of aesthetics and audio formats when pursuing a career in music and sound production.

Module will run

Occurrence Teaching period
A Semester 1 2024-25

Module aims

This module provides you with an in-depth understanding of the measurement, capture, and processing possibilities of acoustic, electric, and digital audio signals. It will also introduce you to the Fast Fourier Transform and digital audio theory that underpins the functioning of Digital Audio Workstations and multi-site production facilities.

You will apply knowledge about the physics and psychoacoustics of sound waves, room acoustics, microphone technology, and the properties of analogue and digital synthesizers in the recording studio. Also, you will learn to build your own electronic audio devices and manipulate specific technologies such as js plugin design in Reaper, the EMS VCS3 and modular synthesizers, and the Kemper digital guitar amplifier and effect processor under the guidance of expert users. Assessment will include a recording and analysis task, and the composition and recording of a music and/or sound piece based on creative uses of DIY designs and/or innovative combinations of existing audio technologies.

Module learning outcomes

By the end of the module you should be able to:

  • use empirical measurements to assess and improve audio productions, room acoustics and monitoring systems

  • troubleshoot digital synchronisation, and signal flow and routing problems in the recording and production facilities

  • design and apply innovative combinations of existing technologies

  • identify, analyze and creatively adapt to artifacts in the signal chain that affect the sound quality

  • develop your own learning strategies to adopt new and unknown audio technologies

Assessment

Task Length % of module mark
Practical
Practical: Composition and commentary		 N/A 70
Practical
Practical: Recording and analysis task		 N/A 30

Special assessment rules

None

Additional assessment information

This assessment has two parts:

30% recording and analysis task following instructions.

70% composition of music and/or sound piece (3-5min) based on DIY designs and/or innovative combinations of existing audio technologies with a commentary (1000 words).

Reassessment

Task Length % of module mark
Practical
Practical: Composition and commentary		 N/A 70
Practical
Practical: Recording and analysis task		 N/A 30

Module feedback

You will receive written feedback in line with standard University turnaround times.

Indicative reading

TBC


The information on this page is indicative of the module that is currently on offer. The University is constantly exploring ways to enhance and improve its degree programmes and therefore reserves the right to make variations to the content and method of delivery of modules, and to discontinue modules, if such action is reasonably considered to be necessary by the University. Where appropriate, the University will notify and consult with affected students in advance about any changes that are required in line with the University's policy on the Approval of Modifications to Existing Taught Programmes of Study.