Occurrence | Teaching period |
---|---|
A | Spring Term 2021-22 |
York is uniquely rich in materials for the study of stained glass, which was among the most popular monumental media in the middle ages and beyond, inspired by the metaphysical value of light and the communicative power of illuminated images: the enamel-painted picture windows of the 16th-19th centuries were premised upon new thinking about the image, after the Reformation.
Not surprisingly, the medium also enjoyed a new popularity in the Gothic Revival of the 19th century, famously attracting the many talents of Morris & Co., but also supporting commercial firms to fill many thousands of windows in secular and sacred buildings across Europe and the United States.
Taking an international perspective, but with local visits, this module sets out to explore the issues that the medium raises, including the relationship to architectural settings, ways to read these striking images in context, the variety of their functions for different audiences, and the creative partnerships involved in the making of such monumental art.
Possible seminar outline
Task | Length | % of module mark |
---|---|---|
Essay/coursework Coursework |
N/A | 100 |
None
Task | Length | % of module mark |
---|---|---|
Essay/coursework Coursework |
N/A | 100 |
For the summative assessment task, students will receive their provisional mark and written feedback within 20 working days of the submission deadline. The tutor will then be available during student hours for follow-up guidance if required.
Clare Downham, Viking Kings of Britain and Ireland: the dynasty of Ivarr to AD1014 (Edinburgh, 2008, chapter 3)
Dawn M. Hadley and Julian D. Richards, The Viking Great Army and the Making of England (Turnhout, 2000)
David Rollason, Northumbria 500-1100: creation and destruction of a kingdom (Cambridge, 2003, chapter 6)
Matthew Townend, Viking Age Yorkshire (Pickering, 2014)