- Department: Education
- Module co-ordinator: Information currently unavailable
- Credit value: 20 credits
- Credit level: H
- Academic year of delivery: 2021-22
Occurrence | Teaching period |
---|---|
A | Autumn Term 2021-22 |
This module examines diverse relationships between drama and education: these include the representation of education in dramatic texts as well as how drama (texts and methods) exists in education policy, pedagogy, practice and technology. The module takes into account a range of learning environments including schools, theatre, heritage, prisons and healthcare. It uses a range of creative, practical and critical practices (from literary criticism, critical theory, theatre and performance studies) to engage with wide-ranging dramatic texts. Students will develop critical abilities which will feed into other modules & assessments at this level. They will develop graduate skills including teamwork, communication and the ability to work independently.
Subject content
Academic and graduate skills
An outline of the sessions week by week:
Week 2: John Ford’s ‘Tis Pity She’s a Whore – drama in heritage and re-enactment
Week 3: Oscar Wilde’s Salome – source study of dramatic texts
Week 4: Nandita Das and Divya Jagdale’s Between the Lines – theatre reviewing as pedagogy
Week 5: Debbie Tucker Green’s Random – drama for therapy
Week 6: Jonathan Harvey’s A Beautiful Thing – drama for inclusion
Week 7: Laura Wade’s Posh – drama for politics and protest
Week 8: David Grieg’s Dunsinane – seeking new audiences for old stories
Week 9: Henrik Ibsen’s Hedda Gabbler – theatre in translation
Week 10: Assessment preparation session
Task | Length | % of module mark |
---|---|---|
Essay/coursework Essay 3000 words |
N/A | 100 |
None
Task | Length | % of module mark |
---|---|---|
Essay/coursework Essay 3000 words |
N/A | 100 |
Presentation and essay plan - oral in class and written feedback on hard copy/email.
Essay or lesson plan + rationale - written feedback using departmental UG feedback form.
The feedback is returned to students in line with university policy. Please check the Guide to Assessment, Standards, Marking and Feedback for more information.
Recommended Reading (optional: each week's play is compulsory reading/viewing)
Boal, A. (1992) Games for Actors and non-Actors. London: Routledge.
de Groot, J. (2009) ‘Historical Re-enactment’ in Consuming History. Abingdon: Routledge. 105-124.
Dobson, M. (2011) Shakespeare and Amateur Performance. Cambridge: CUP.
Heathcote, D. and Bolton, G., (1995) Drama for Learning. Oxford: Heinemann.
Hornbrook, D. (1991) Education in Drama. London: The Falmer Press.
Hornbrook. D. (1998) On the subject of Drama. London: Routledge.
Jackson, A. (2008) Theatre, education and the making of meanings. Manchester: MUP.
Jackson, T. (1993) Learning through Theatre. London: Routledge.
National Advisory Committee on Creative and Cultural Education. (2000) All our futures: Creativity, Culture and Education. Buckingham University Press.
Neelands, J. (1992) Learning through Imagined Experience. London: Hodder & Stoughton Education.
Oddey, A. (1994) Devising Theatre. London: Routledge.
Somers, J. (1994) Drama in the Curriculum. London: Cassell.
Stredder, J. (2009) The North Face of Shakespeare. Cambridge: CUP.