- Department: Theatre, Film, Television and Interactive Media
- Module co-ordinator: Dr. Peter Merrington
- Credit value: 20 credits
- Credit level: H
- Academic year of delivery: 2023-24
- See module specification for other years: 2022-23
This option module explores creative business contexts beyond the UK. It will examine how concepts such as – globalisation, postcolonialism, cultural imperialism and hybridisation – aid our understanding of the creation and distribution of content across stage, screen and interactive media. And it will analyse how different cultural systems or traditions affect how content is made and financed - and what we can learn from exposing ourselves to different creative business methodologies and cultural priorities. The module will focus on China, India, Africa and South America as key sites of creative endeavour and compare conditions there with those that currently prevail in the UK, Europe and the US. The module will also introduce students to the business of co-production, and international cross-financing.
Occurrence | Teaching period |
---|---|
A | Semester 1 2023-24 |
This module aims to:
At the end of this module, you will be able to:
Please note that this module will share core teaching with its Y2 version. However Y3 students will be expected to bring a more advanced level of knowledge to their learning and this will be reflected in their assessment
Task | Length | % of module mark |
---|---|---|
Essay/coursework Essay : Analysis of an International cultural market |
N/A | 70 |
Groupwork Group work : Group Event Production |
N/A | 30 |
None
Formative work is embedded into weekly exercises in the seminar structure.
Task | Length | % of module mark |
---|---|---|
Essay/coursework Case study presentation |
N/A | 30 |
Essay/coursework Essay : Analysis of an International cultural market |
N/A | 70 |
You will receive written feedback in line with standard University turnaround times.
Crane, D (2014) Cultural globalization and the dominance of the American film industry: cultural policies, national film industries, and transnational film, International Journal of Cultural Policy, 20:4, 365-382.
Gutiérrez, C and Wagenberg, M (2014) Meeting points: A survey of film festivals in Latin America, Transnational Cinemas, 4, 295 – 305.
Hesmondhalgh, D (2019) The Cultural Industries (4th edition), Sage.
Oakley, K and O'Connor, J (eds) (2015) The Routledge Companion to the Cultural Industries, Routledge.
Tarraf, Z (2020) (Re)negotiating Belonging: Nostalgia and Popular Culture in Postwar Lebanon, Journal of Intercultural Studies, 41:3, 355-369.
Youna K (eds) (2013) The Korean Wave: Korean Media Go Global, Routledge.