Spatial Audio & Surround Sound - TFT00007M
- Department: Theatre, Film, Television and Interactive Media
- Credit value: 10 credits
- Credit level: M
- Academic year of delivery: 2022-23
Module summary
An exploration of the technical and creative opportunities of spatial audio, including multichannel recording techniques and mixing for surround sound.
Module will run
Occurrence | Teaching period |
---|---|
A | Spring Term 2022-23 |
Module aims
To introduce the basic concepts of spatial hearing, recording, production and surround-sound reproduction.
To explore the possibilities and limitations offered by many of the common surround-sound formats found across the industry and wider field.
To explore the creative possibilities of working with multi-channel audio and surround-sound reproduction across different formats and delivery media.
To experiment with surround-sound location recording.
To develop an appreciation of spatial audio research and how it works with, informs, and is driven by industry requirements.
To work towards the completion of a major surround-sound work that must at least in part be informed by or adhere to current industry formats.
Module learning outcomes
Upon completion of this module students are expected to be able to:
Demonstrate an understanding of human auditory localisation mechanisms.
Demonstrate an understanding of spatial audio concepts.
Demonstrate an understanding of the most commonly used surround-sound delivery and playback formats.
Compare and contrast spatial audio recording techniques
Plan, carry out, edit and make use of location based multi-channel audio recordings.
Arrange, produce, demonstrate and author surround-sound audio works.
Highlight key directions for future spatial audio research.
Support their creative output with comprehensive and reasoned technical documentation as well as a reflective analysis of the finished work.
Indicative assessment
Task | % of module mark |
---|---|
Essay/coursework | 75 |
Essay/coursework | 25 |
Special assessment rules
None
Indicative reassessment
Task | % of module mark |
---|---|
Essay/coursework | 75 |
Essay/coursework | 25 |
Module feedback
Students receive feedback every week through formative tasks designed to monitor their progress. Formal feedback on the summative assessment is submitted in the summer term.
Indicative reading
McCormick, T. & Rumsey, F. (2002) Sound and Recording: An Introduction, 4 th Ed. Amsterdam and London: Focal Press.
Blauert, J. (1996) Spatial Hearing - Revised Edition. Cambridge MA: MIT Press.
Bartlett, G. and Bartlett J. (2002) Practical Recording Techniques. Amsterdam and London: Focal Press.
Holman, T. (2000) 5.1 Surround Sound Up and Running. Amsterdam and London: Focal Press.
Rumsey, F. (2001) Spatial Audio. Amsterdam and London: Focal Press.
Streicher, R. and Alton Everest, F. (2006) The New Stereo Soundbook, Third Edition, Audio Engineering Associates.
Begault, D. R. (1994) 3-D Sound for Virtual Reality and Multimedia. Cambridge, MA: Academic Press Professional.
OTHER RESOURCES:
Schoeps Microphones: http://www.schoeps.de/en/home
Ambisonics: http://www.ambisonic.nethttp://www.soundfield.com
Dolby Labs: http://www.dolby.com