This module prepares learners with the theoretical understanding and practical skills needed to make recordings of acoustic sources. Topics in acoustics, psychoacoustics and electroacoustics are covered in lectures and readings tasks. Regular practical sessions introduce the Department's studios and procedures for working effectively within them for recording and editing tasks.
Occurrence | Teaching period |
---|---|
A | Autumn Term 2022-23 |
Task | Length | % of module mark |
---|---|---|
Essay/coursework Recording and mix |
N/A | 60 |
Practical Basic recording and signal flow proficiency |
N/A | 40 |
None
The first summative assessment is a short practical proficiency test that explores your understanding of equipment, connections, and standard recording set-ups. You will be asked to set up a limited collection of equipment and cables to perform a specific task in a specific manner.
The second summative assessment is a group recording of a departmental ensemble. You will be assigned a small group, an ensemble and a time slot in which to record. You will then be asked to individually mix the recording. You will submit an individual essay (no longer than 2000 words) detailing your process and justifying your rationale, and a critique of your outputs. You should submit:
Please refer to the assessment brief on the VLE for further information about submissions.
Task | Length | % of module mark |
---|---|---|
Essay/coursework Recording and mix |
N/A | 60 |
Practical Basic recording and signal flow proficiency |
N/A | 40 |
Written feedback within 20 working days of assessment date.
Howard, David, and Angus, Jamie. 2009. Acoustics and Psychoacoustics. Oxford: Routledge.
Rumsey, Francis, and McCormick, Tim. 2009. Sound and Recording. 6th ed. Amsterdam ; London: Elsevier/Focal.
Rumsey, Francis, and McCormick, Tim. 2015. Sound and Recording: Applications and Theory. Oxford: Taylor & Francis Group.
Plack, Christopher J. 2013. The Sense of Hearing. Psychology Press.
Borwick, John. 1990. Microphones: Technology and Technique. London ; Boston: Focal Press.
Everest, F. Alton. 2007. Critical Listening Skills for Audio Professionals. Boston, MA: Course Technology/ Cengage Learning.
Moore, Brian C. J. 2012. An Introduction to the Psychology of Hearing. 6th ed. Bingley: Emerald.