Accessibility statement

Encountering Modernism - HOA00030M

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  • Department: History of Art
  • Module co-ordinator: Information currently unavailable
  • Credit value: 20 credits
  • Credit level: M
  • Academic year of delivery: 2022-23
    • See module specification for other years: 2021-22

Module summary

This module will examine encounters with and responses to Modernism in the visual arts after 1945, in relation to American and European art.

Module will run

Occurrence Teaching cycle
A Autumn Term 2022-23

Module aims

We will explore a range of responses that developed in painting, sculpture, performance, conceptual art, and installation work across the second half of the twentieth century.

Module learning outcomes

  • Knowledge of some of the main theoretical and historical approaches to the period.
  • A critical understanding of the concept of the canon in Modernism and the critical problems associated with the Modernist paradigm.
  • Familiarity with a range of art works and the ways in which the meanings of such works have been contested within the modern period


Task Length % of module mark
N/A 100

Special assessment rules



Task Length % of module mark
N/A 100

Module feedback

You will receive feedback on assessed work within the timeframes set out by the University - please check the Guide to Assessment, Standards, Marking and Feedback for more information.

The purpose of feedback is to help you to improve your future work. If you do not understand your feedback or want to talk about your ideas further, you are warmly encouraged to meet your Supervisor during their Office Hours.

Indicative reading

Frascina, Francis & Harris, Johnathan, eds., Art in Modern Culture: An Anthology of Key Texts. London: Phaidon Press, 1992

Frascina, Francis & Harris, Johnathan, eds., Modern Art and Modernism: A Critical Anthology. New York: Harper & Row, 1982.

Harrison, Charles & Wood, Paul, eds., Art in Theory 1900-2000: An Anthology of Changing Ideas. Oxford: Blackwell, 2003.

Jones, Amelia, ed., A Companion to Contemporary Art since 1945. Oxford: Blackwell, 2005.

Lawrence, ed., Modernism: An Anthology. Oxford: Blackwell, 2005.

Krauss, Rosalind, Foster, Hal, Bois, Yve-Alain & Buchloh, Benjamin, eds., Art Since 1900: Modernism, Antimodernism, Postmodernism. Thames and Hudson, 2004.

The information on this page is indicative of the module that is currently on offer. The University is constantly exploring ways to enhance and improve its degree programmes and therefore reserves the right to make variations to the content and method of delivery of modules, and to discontinue modules, if such action is reasonably considered to be necessary by the University. Where appropriate, the University will notify and consult with affected students in advance about any changes that are required in line with the University's policy on the Approval of Modifications to Existing Taught Programmes of Study.