Posted on 17 July 2015
In this special summer issue, Jason Edwards writes on Generations of Modernism, or, A Queer Variety of Natural History: Edmund Gosse and Sculptural Modernity, while his former PhD student Imogen Hart (now at Berkeley) has contributed an article on History Painting and Its Critics, ca. 1870–1910. This edition also features an article by Jane Hawkes, W. G. Collingwood: Artist, Art Historian, Critic, Archaeologist, and Anglo-Saxonist and one by our former colleague and friend of the department Sarah Victoria Turner on “Reuniting What Never Should Have Been Separated”: The Arts and Crafts Movement, Modernism, and Sculpture in Britain 1890–1914.
Volume 14, Issue 2 | Summer 2015 is open access, and all of the articles are available to read on online.
We're thrilled to see so many York colleagues together in one issue!