Wednesday 15 June 2022
Clara Iannotta: What do you hear? Building sounds beyond instruments
Tuesday 14 June 2022
Wednesday 8 June 2022
Ben Gaunt: Embracing Idiosyncrasies
Tuesday 7 June 2022
Alex Paxton: Happybig gay Cartoon-Machine Music for Bosch People, orchestras and Lollipops
Tuesday 31 May 2022
University of York Sound and Technology Network event (CANCELLED)
Wednesday 25 May 2022
Liz Haddon and Martin Suckling: Òran Fìdhle / Violin Song
Tuesday 17 May 2022
Wednesday 11 May 2022
Tuesday 10 May 2022
Wednesday 4 May 2022
Megan Steinberg: On Composition & Disability
Tuesday 3 May 2022
Wednesday 27 April 2022
Cobi van Tonder: Acoustic Atlas – Cultivating the Capacity to Listen
Tuesday 26 April 2022
Music Coding Collective, Summer week 1
Friday 22 April 2022
Wednesday 20 April 2022
Closing the Gender Gap III: Open-Access Analysis of Amy Beach's Gaelic Symphony
Friday 18 March 2022
Music Coding Collective, Spring week 10
Friday 18 March 2022
Tuesday 15 March 2022
Music Coding Collective, Spring week nine
Friday 11 March 2022
Wednesday 9 March 2022
Music Coding Collective, Spring week 8
Friday 4 March 2022
Wednesday 2 March 2022
Music Coding Collective, Spring week 7
Friday 25 February 2022
David R. M. Irving: The Intercultural Interests of Early Music Pioneers Arnold and Mabel Dolmetsch
Wednesday 23 February 2022
Tuesday 22 February 2022
Music Coding Collective, Spring week 5
Friday 11 February 2022
Acoustic Atlas – Cultivating the Capacity to Listen
Tuesday 8 February 2022
Music Coding Collective, Spring week 4
Friday 4 February 2022
Wednesday 2 February 2022
Tuesday 1 February 2022
Music Coding Collective, Spring week three
Friday 28 January 2022
University of York Sound & Technology Network event
Wednesday 26 January 2022
Going North: collaborations with composers and engineers
Tuesday 25 January 2022
Music Coding Collective, Spring week two
Friday 21 January 2022
Songs at the Sacrifice: Text, Music and Meaning in the Late Medieval Mass
Wednesday 19 January 2022
Talking with statues: language, memory and history in Hans Zender’s ‘composed interpretations’
Tuesday 18 January 2022
Wednesday 12 January 2022
Improvising Sabor: Cuban Dance Music in New York
Wednesday 1 December 2021
Experimental approaches to composition, production and performance: Gazelle Twin
Tuesday 30 November 2021
Bespoke synth: A beginner's intro
Monday 29 November 2021
Music Coding Collective, Autumn week nine
Friday 26 November 2021
Igor Contreras Zubillaga (University of Huddersfield): Sounding Democracy in Post-Francoist Spain
Wednesday 24 November 2021
CMRC Autumn Week 9 seminar: Mira Benjamin
Tuesday 23 November 2021
Music Coding Collective, Autumn week eight
Friday 19 November 2021
Wednesday 17 November 2021
Composer, performer, curator… why not?
Tuesday 16 November 2021
Music Coding Collective: Voice and Accent
Friday 12 November 2021
Wednesday 10 November 2021
CMRC Autumn Week 7 seminar: PGR student research presentations: Robin Haigh and Loré Lixenberg
Tuesday 9 November 2021
Music Coding Collective, Autumn week six
Friday 5 November 2021
Tim Crawford (Goldsmiths College): Doing real musicology with digital tools
Wednesday 3 November 2021
Music Coding Collective, Autumn week five
Friday 29 October 2021
Wednesday 27 October 2021
CMRC Autumn Week 5 seminar: Ed McKeon
Tuesday 26 October 2021
Music Coding Collective, Autumn week four
Friday 22 October 2021
Hilary Poriss (Northeastern University, US): Malibran, Divas, and Abuse in the Singing Profession
Wednesday 20 October 2021
CMRC Autumn Week 4 seminar: Amandine Pras (in person) and Jonathan Kay (online)
Tuesday 19 October 2021
Music Coding Collective, Autumn week three
Friday 15 October 2021
Wednesday 13 October 2021
CMRC Autumn Week 3 seminar: Ceiri Torjussen
Tuesday 12 October 2021
Music Coding Collective, Autumn week two
Friday 8 October 2021
CMRC Autumn Week 2 seminar: Christopher Fox
Tuesday 5 October 2021
Music Coding Collective, Autumn week one
Friday 1 October 2021