Events

An introduction to Silent Faces' physical, political, playful style, this workshop will tool you up to make seriously silly theatre.

Loveplay takes us through time, starting at the Roman era ending here, now in 2023, telling distinct stories of love, tragedy an sex.

James Fritz’s Ross & Rachel is a one-woman show about love, life after death, and finding yourself in an all-consuming relationship.

Join us on Tuesday 30th May for an exciting talk with Juliet Forster who is the current Creative Director at York Theatre Royal.

Join us for this session in which cellist, composer and arranger Audrey Riley discusses aspects of her work.

Thomas Eccleshare’s vivid storytelling conjures up a lone woman chasing footprints through blizzards as she grapples with the insidious spectre of her father’s legacy.

This beautifully powerful tale of love and loss speaks about the everlasting effects of a tragic day and how it can leave your life crumbling to pieces.

Tom Basden's play Holes is set on a desert island in the aftermath of a plane crash.

Join Bill Kinder and Bobbie O'Steen to discuss their book 'Making the cut at Pixar'. (Available to TFTI Staff and Students only)

‘Are you one of those people who saw Princess Bride and decided you wanted to fence?’

ACT Research Seminar

Have you ever felt unsafe on the bus, walking to work or on a night out? The Dancefloor Project brings people together to explore ways we can make everyone feel safe and reduce sexual harm in public spaces.

Have you ever wanted to go to the Fringe Festival with one of your productions, but have never known how to do so?

Sam Steiner’s You Stupid Darkness is a dark comedy that tells the story of four volunteers answering the phones at a helpline in the early hours of the morning - when our thoughts are at their darkest and most overwhelming.

Through a surrealist lens, Weldon Rising explores themes of guilt, loss and conscience within the community.

Emergence of digitally encoded musical corpora & advanced computational tools has allowed music scientists to dissociate the roles of retrospective surprise & prospective uncertainty in the cognition, composition, & improvisation of musical melodies.

On the Horizon Festival: Harri Marshall, advocating deaf and disabled creatives whilst working as a technician and director

Ben Edwards has spent the year procrastinating completing his first tax return as a self-employed online tutor. Finally mustering the courage to call HMRC for guidance, he takes a patchwork walk down memory lane...

On the Horizon Festival: Comedy Soc presents a double bill of The Shambles and Dead Ducks

This beautifully powerful tale of love and loss speaks about the everlasting effects of a tragic day and how it can leave your life crumbling to pieces.

Thesis seminar: On deep learning for the synthesis of sound effects

James Fritz’s Ross & Rachel is a one-woman show about love, life after death, and finding yourself in an all-consuming relationship.

Thomas Eccleshare’s vivid storytelling conjures up a lone woman chasing footprints through blizzards as she grapples with the insidious spectre of her father’s legacy.

On the Horizon Festival: Thomas Eccleshare, a talk with the writer of I'm Not Here Right Now

‘Are you one of those people who saw Princess Bride and decided you wanted to fence?’

Loveplay takes us through time, starting at the Roman era ending here, now in 2023, telling distinct stories of love, tragedy an sex.

Ben Edwards has spent the year procrastinating completing his first tax return as a self-employed online tutor. Finally mustering the courage to call HMRC for guidance, he takes a patchwork walk down memory lane...

Through a surrealist lens, Weldon Rising explores themes of guilt, loss and conscience within the community.

Tom Basden's play Holes is set on a desert island in the aftermath of a plane crash.

Three artist-scholars will engage you in learning about and joining in with Afro-beat making, AI songwriting and Therapeutic Hip Hop.

Join us for this session in which Federico Reuben (composer) and Kate Harrison-Ledger (piano) discuss their recent collaborative project On Violence.

ACT Research Seminar

Platform presents Scratch: a work-in-progress event which celebrates creative projects being undertaken in the department and provides a platform for you to receive feedback during the development of your practical work.

The everyday, involuntary imagining of music is commonplace. While this is not usually problematic, there is a need to support individuals who suffer from intrusive musical imagery.

Tom Collins presents Planning meeting for next semester's Music Coding Collective

Join us for this session with harpist and composer Ruth Lee in which she discusses considerations when approaching writing for the harp and workshops music by student composers.

A ninety minute writing workshop with leading British playwright Simon Stephens. (TWDP students only)

Join us for a discussion session concerning an aspect of contemporary music practice and research – topic to be announced.

We are delighted to welcome playwrights Simon Stephens and Nick Payne, who will be in conversation together about all aspects of the playwriting craft.

ACT Research Seminar

Research suggests we fail to pay attention to what we are doing as much as 50% of the time, and that the act of music listening is no exception.

The Interactive Media (IM) Showcase celebrates the works of Interactive Media students. The showcase aims to bring everyone together to engage with students and their projects, build connections with academic professionals and the IM cohort.

Kyle Worrall presents: Game audio in Unreal Engine, part II: Music

A collection of the top screenings of the festival & the awards hosted by industry professionals and returning alumni.

Join us for a discussion session concerning an aspect of contemporary music practice and research – topic to be announced.

ACT Research Seminar

In the realm of music cognition, the primary focus of imagery research has been on auditory mental imagery, which refers to the quasi-perceptual experience of sound and music in the absence of related external sensory input.

Federico Reuben and Kate Ledger