Events

Music Coding Collective week 2: JavaScript and p5.js

Boston (USA) based composer Roustom will share his experiences of his journey exploring identity through music.

John East is one of the foremost television drama directors working out of the UK today. With credits such as Killing Eve and The Last Kingdom, Jon has been at the forefront of British television drama for three decades.

Session three: Interactive pop music infilling interface in Ableton with Rui Guo (University of Sussex)

Graham Fitkin talks about his work, including his new piece, BLA BLA BLA, for pianos, samplers and spoken voice (York Concert Series: The Fairy Relentless Fitkins).

Coding session three: Tone.js.

This discussion session led by PGR Music students with Professor Christopher Fox explores the question: 'What is the nature of the 'new' in 'new music'?

Mixing UK Garage with unpretentious class politics, award-winning performance-maker Holly Beasley-Garrigan wants to talk about the fetishisation of the feral female.

This workshop will explore theatre-making from an autobiographical devising perspective. A practical, fun couple of hours to give you some tools to get you thinking about how you might begin to make art from your own experience.

Michellee Couttolenc is a sound engineer of the seventh art. In April 2021, thanks to the film "Sound of Metal", she received the BAFTA, AMPS, CAS and Óscar®️ awards.

Coding session 4: Next steps in p5.js and Tone.js.

This workshop explores DJ skills in schools and beyond, and the variation of hip hop and related music around the world.

Stan Royle is a professional floor manager who has had a long career in the broadcast & television industry working across many genres. Stan will talk about the career of a floor manager, the production cycle & the superpowers you need in the studio.

Mary Stewart-David, David Gochfeld and Daniel Lock: Musicals and audio fidelity in VR.

Join composers Alan Bullard, Kristina Arakelyan and Association Board of the Royal Schools of Music (ABRSM) Partnerships Manager and composer James Welburn as they explore the world of composing to a brief with ABRSM.

Krisztian Hofstadter (School of Arts and Creative Technologies) joins us to present "Developing brain-computer music interfaces for meditation."

This talk will consider compositional practice in relation to Timothy Morton’s ideas surrounding the hyperobject.

John is a Zimbabwean Music Composer, Theatre Director/Practitioner and Actor/Musician who is published by Warner Chappell Music (Warner Music Group).

Machine learning for interactive sound systems with gestural-sound mapping.

Coding session 5: Review of coding this term