Department of History of Art
Posted on 22 September 2017
Emanuele has contributed an essay entitled ‘The Collapse of Representational Planes: Giovanni Bellini’s Pala San Giobbe’ to Voir l’Au-delà: L’expérience visionnaire et sa représentation dans l’art italien de la Renaissance (Paris, 2017), edited by Andreas Beyer, Philippe Morel, and Alessandro Nova. His chapter provides a new reading of Giovanni Bellini's most famous altarpiece, the one that skyrocketed him into fame. It is also the largest altarpiece made in Venice by then (that is, the 1480s).