Thursday 4 May 2017, 5.30PM to Friday 5th May
In keeping with Dominic Olariu’s La genèse de la représentation ressemblante de l’homme. Reconsidérations du portrait à partir du XIIIe siècle (Bern 2014), this international workshop looks at the the ways fourteenth-century poets, intellectuals, doctors, and artists engaged with issues of translation, casting, embalming, and quantification. It explores the contaminations between ideas of measuring, judging, and representation while considering the similarities between concepts of truth, virtue, and likeness. The goal is to re-examine drawing as a practice that served to understand the real and construct a sense of truth. The workshop also explores medieval doctors' engagement with embalming, sculpting, and casting techniques. Finally, it intends to break away with the idea of rhetoric as an arid, formalistic ritual, but rather a practice that often drew from practical experiences and changed their significance in return. This is why this workshop is framed around the figure of Petrarch, composer of funerary inscriptions, poet of inner realities, master of the art of memory, and avid commentator of scientific texts.
Program:
May 4
10:00 Joël Chandelier (Paris 8)
Complexio, Anatomia and the Judgement of the Human Body in 14th-century Italian Medical Scholasticism
10:40 Luca Palozzi (Edinburgh)
Devising the World: Drawing and Other Cognitive Tools around Petrarch’s Time
11:20 Coffee Break
11:40 Laura Jacobus (Birkbeck)
Portraiture at the Carrara Courts: Realism, Representation and Replication
12:20 Philippe Charlier (UVSQ)
Embalming at the Time of Petrarch: How? Why?
13:00 Lunch Break
14:30 Emanuele Lugli (York)
The Life-Size as a Legal Concept
15:10 Giulia Perucchi (Villa I Tatti)
Petrarch and the Sciences
15:50 Coffee Break
16:15 Roundtable Discussion
18:00 Conclusions
Location: Centre for Medieval Studies, King's Manor K/159