• Date and time: Thursday 9 May 2019, 6.30pm to 7.30pm
  • Location: Bowland Auditorium, Berrick Saul Building, Campus West, University of York (Map)
  • Audience: Open to the public
  • Admission: Free admission, booking required

Event details

Electronic Engineering Inaugural Lecture

The creative industries in the UK make up a significant part of our economy and can be rightly considered a global success. Working together across the arts, science and engineering is fundamentally important for our creative sector to maintain this position. New immersive and interactive creative technologies bring emerging challenges and opportunities for both our content creators, and the engineers and technologists behind the systems used to author this content, as audiences adapt and change to how they demand and consume their digital media.

The audio industry has, for many years, successfully brought together the arts, science and engineering, established through a common language, appreciation and understanding of music, and its creation, capture, storage, manipulation and delivery across many different forms. Professor Damian Murphy will explore research that has emerged from the Department of Electronic Engineering AudioLab, as part of more than thirty years of the University of York’s contribution to the shape and definition of this multi-disciplinary field. From the creation of virtual sound environments to the impact of sound on our environment; through listening to the past to telling stories in new ways for next generation audiences – what might our future sound like?

There will be a drinks reception in the Treehouse from 5.30pm to 6.30pm for ticket holders. 

Professor Damian Murphy

Damian Murphy is Professor in Sound and Music Computing at the Department of Electronic EngineeringUniversity of York, where he has been a member of academic staff since 2000, and is the University Research Theme Champion for Creativity. He started his career in the Performing Arts Department at Harrogate College and has previously held positions at Leeds Metropolitan University and Bretton Hall College. His research focuses on virtual acoustics and he has published over 130 journal articles, conference papers and books in the area. He is a member of the Audio Engineering Society, a Fellow of the Higher Education Academy, and a visiting lecturer to the Department of Speech, Music and Hearing at KTH, Stockholm. Prof. Murphy is also an active sound artist and the Director of the newly launched £15m XRStories R&D Partnership exploring interactive and immersive storytelling for the UK’s creative screen industries.

Venue details

  • Wheelchair accessible
  • Hearing loop