Medieval Art and Medievalisms
One of the largest concentrations of medievalists in the world, our cluster's expertise extends from the late Roman Empire to the Renaissance and Reformation.
We cover much of Europe and the Islamic world with particular strengths in the material culture of the British Isles.
Our research encompasses medieval revivals, involving many colleagues from later periods and encouraging transhistorical work. We maintain close links and collaborate with medieval scholars in departments across York through the interdisciplinary Centre for Medieval Studies.
- Professor Tim Ayers Later medieval art and architecture in England, especially stained glass; Art and architecture in the medieval university
- Sarah Brown The art and architecture of the English Cathedral (especially Salisbury and York); stained glass in the medieval tradition
- Professor Jason Edwards Victorian neo-gothic sculpture and architecture
- Professor Jane Hawkes Anglo-Saxon art and architecture, especially figurative sculpture; Iconography; Medieval revivals in 19th-century England and Ireland
- Professor Amanda Lillie Art and architecture in Italy 1300-1600, especially the palazzi and villas of secular patrons, including the Medici
- Dr Richard McClary Islamic art and architecture; the architecture and ceramic arts of the wider Iranian world from the tenth to the fourteenth centuries
- Professor Christopher Norton (Emeritus Professor) Art and architecture of the religious orders in England and France in the 12th to the 14th centuries; Medieval decorated pavements; Art and architecture in northern England, especially Durham and York
- Dr Jeanne Nuechterlein Flemish, Netherlandish and German art of the 15th and 16th centuries; Van Eyck, Dürer, Holbein
- Professor Liz Prettejohn Receptions of ancient, medieval and Renaissance art; Victorian painting and sculpture, including the Pre-Raphaelites; Victorian Aestheticism; art criticism
- Dr Hanna Vorholt (Director) Illuminated manuscripts, and the representation of Jerusalem in the medieval West.
This is a large and active research community. We warmly welcome students who wish to join us for postgraduate research in medieval art.
- Rachel Alban English Portrait Miniatures from Holbein to Hilliard: merely 'painting in little' or a distinct art form?
- Blair Apgar Medieval and Romanesque Architecture in Lombardy
- Maria-Anna Aristova The Problem of Ornament in Early Modern Architecture
- Karen Brett Spitting on an Angel, Trampling a Saint: Reading the Medieval English Pavement
- Cherissa Casey Sacred skulls, textiles, and medieval veneration: exploring the Holy Head reliquaries of Cologne
- Koching (Ellen) Chao The spatial-visual capacity of public sculpture, and its influence on spectators’ sensibility to spatial configuration in Piazza della Signoria, Florence
- Jordan Cook Settings and Subjects in Early Netherlandish Painting
- Joanna Dillon The Lost Dimension: Medieval Window Lead – A Study of Sources, Craft and Conservation
- Amanda Doviak At Cross Purposes? Sacred and Secular Figural Iconographies of the High Cross in the Northern Danelaw, c. 850-1000
- Oliver Fearon Glittering Beasts: The Patronage and Craft Culture of Heraldic Stained Glass in England c.1300-1540 (AHRC funded CDA)
- Katharine Harrison Illuminating Narrative: An Interdisciplinary Investigation of the fifteenth-century St Cuthbert Window at York Minster
- Megan Henvey The Northern Group of Irish High Crosses: Simply a Geographical Term?
- Claudia Jung Visual translations of Jerusalem in the Early Modern Netherlands
- Layla Lozano Early British Women Travellers to Ravenna and Their Impact Upon Early Studies of Byzantine Art
- Rebecca Mencaroni The vestibule underneath the Duomo of Siena and thirteen-century devotional practices
- Niko Munz Forms of architecture in early Netherlandish Painting
- Candace Reilly The Eye of Its Beholder: A Medical and Scientific Study of Religious Visuality and Image Agency in Thirteenth Century England
- Madeline Salzman The Meaning, Iconography and Role of Angels in Anglo-Saxon England
- Hannah Tomlin The relationship between domestic interiors and inhabitants in Palazzo Strozzi c1500-c1700
- Claudia Wardle Renaissance Fauna and Ferrarese art of the fifteenth century
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