PhD (University College London)
PGDip (Queen Mary, University of London)
MA (University College London)
LLB (National University of Singapore)
After law school, qualifying for the Singapore Bar and a brief bout practising as a finance lawyer at a major law firm in Singapore and London, I decided to do something different and obtained a PhD in Film Studies from University College London (UCL), writing my doctoral thesis on digital cinema technologies. Prior to joining York, I held research posts as a Leverhulme Early Career Fellow at the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), Cambridge University (Visiting Fellow, Wolfson College), and as a Postdoctoral Research Fellow at HUMlab (dually affiliated with the Department of Culture and Media), Umeå University, Sweden.
My academic honours include the Leverhulme Early Career Fellowship, the Overseas Research Scholarship (ORS) Award, the UCL Graduate School Research Scholarship, the UCL Graduate Open Scholarship, and the Singapore Academy of Law Prize (top final-year graduate of the class).
More recently, I have been awarded the University of York Rewarding Excellence Award for my demonstration of academic leadership as well as the University of York Vice-Chancellor's Teaching Award for achievement of teaching excellence. I have twice been nominated by students for a University of York Students' Union (YUSU) Excellence Award (respectively for "Inspirational Lecturer" and "Teacher of the Year").
At TFTV, I am a member of the founding team which started the Interactive Media BSc programme, of which I am currently its Programme Leader. From 2015-17, I set up and was Chair of the TFTV Ethics Committee. I am also the Faculty Representative (Arts and Humanities) of the York Graduate Research School Policies and Programmes Sub-Committee.
I have designed and taught a wide range of cinema and digital media courses, including convening and teaching the module, "Coding the Frame: Space and Time with Digital Media", for the Screen Media and Cultures MPhil at Cambridge, and have supervised several MPhil essays and theses. I currently convene and teach two of the humanities modules on the Interactive Media BSc: Digital Culture, Aesthetics and Storytelling; and The Digital Self.
I work primarily on theoretical, cultural and critical analyses intersecting digital and visual culture, with particular interests in the imaging technologies of CGI, mobile media, haptic devices, motion and virtual capture systems. My research interests also include the philosophy of technology, the posthuman, computational culture and the digital humanities.
I have given over 20 invited (with all expenses paid) lectures and presentations, including the opening plenary for the 2014 Social Media Knowledge Exchange (SMKE) launch event at the University of Cambridge, the keynote for the 2015 Glasgow Postgraduate Research Symposium, and an invited roundtable at the International Machinima Convention at De Montfort University in 2016. In 2012, I was a visiting researcher at the Centre for Cinema Studies, University of British Columbia, Canada; in 2014 and 2018, I was awarded competitive visiting stipends to be a visiting scholar at the Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore, and at the Bill Douglas Cinema Museum, University of Exeter, respectively.
My first book, an edited collection titled Understanding Machinima: essays on filmmaking in virtual worlds (Bloomsbury) on the remediation of machinima in avant-garde art, cinema, pedagogy, puppetry, game art, performance, documentary, was published in 2013 as a multi-media academic collection of essays incorporating QR codes and mobile digital content. I am currently completing a monograph on re-thinking the relationship between digital media and screens, titled Undoing the Screen: surface, space, spectacle (Palgrave; forthcoming). In the meantime, I have published widely on digital culture and cinema in various journals, including Cinema Journal, Animation, Screening the Past, Kinephanos and Rouge.
I was a Co-Investigator on two AHRC-funded projects, "Pararchive" (£400,000), and its follow-up project, "Digital Community Workspaces" (£100,000), both based at the University of Leeds, which aims to co-produce an open digital platform for the creative remediation of archival resource by communities. My other competitive grant awards include a Social Media Knowledge Exchange Scholarship (funded by the AHRC) and successful internal pump priming applications both at York and Cambridge. In 2013, I was the project leader of "Digital Bridges: 'Have You Forgotten Your Password'", an AHRC-funded knowledge exchange project working with playwrights and theatre practitioners at the Watford Palace Theatre, developing a digital art installation in conjunction with the plays and organising outreach workshops during the theatre's season on digital society and culture.
I supervised numerous MPhil dissertations at Cambridge. At York, I am currently supervising five PhD students working on topics including the cultural value of open air cinema; interactions in creative hubs; transmedial representations of Greek myth; and autobiography in creating video games. I have supervised one PhD student to completion and who is now in a lecturing post at a UK university. I am particularly interested in supervising PhD projects on digital media and culture; digital cinema and imaging technologies; video games and digital culture; posthumanism; science and technology in film; and the philosophy of cinema: do get in touch if you are interested.
Full publications list
For a full list of my publications, please visit the York Research Database.
I am a member of various professional societies, including the Law Society of Singapore and the Singapore Academy of Law. I am also an Advocate and Solicitor of the Supreme Court of Singapore.
At Cambridge, I was a member of the Social Media Knowledge Exchange (SMKE) Steering Committee, a collaborative project based at the University of Cambridge on social media research and learning, as well as a member of the Cambridge Digital Humanities Steering Committee, overseeing the setting up of a formal and comprehensive DH network in the Cambridge area, principally across University of Cambridge.
In 2018, I am a member of the founding team which started Bi'an, a UK Chinese Writers' Network that is funded by Arts Council England.