Professor Tom Cantrell
Professor in Theatre Associate Dean for Teaching, Learning and Students

Profile

Biography

I am a Professor in Theatre and Associate Dean for Teaching, Learning and Students in the Arts and Humanities Faculty. As Associate Dean I lead on the management, strategic initiatives and development of learning and teaching across the faculty. Within the School of Arts and Creative Technologies, I teach on the BA in Theatre: Writing, Directing and Performance and the MA in Theatre-Making as well as supervising doctoral research students.

My research addresses questions of performance, approaches to theatre-making and acting processes. To date, I have published four books on acting. I am currently co-editing The Theatre-Maker’s R&D Sourcebook for Bloomsbury and researching the work of the National Theatre Studio. My recent publications have explored acting processes for television, including Acting in British Television and Exploring Television Acting, both written with Christopher Hogg, and documentary theatre, including Acting in Documentary Theatre and Playing for Real, alongside a number of articles. 

I have held visiting professorships at the Université de Picardie Jules Verne and Concordia University, Montreal, where I was scholar-in-residence at the Acts of Listening Lab.

Research

Overview

My research interests include: acting theory and practice, television performance, verbatim and documentary theatre and television, modern British political theatre, and approaches to research and development in theatre-making.

My research addresses questions of performance and, in particular, acting processes. To date, I have published four books on acting. Recently, I have been researching acting processes for television with Christopher Hogg (University of Westminster), and have published a number of articles on this theme. Our work is the first detailed research into how actors approach the specific demands of television. Most research views performance via textual analysis of the finished product. By contrast, we use interviews with celebrated television actors to focus on their process, and how they bring their skills to bear on this particular medium. We have recently published Acting in British Television (Palgrave, 2017) and an edited collection, Exploring Television Acting, for Bloomsbury (2018).

My previous research has focused on how actors approach playing real people. I co-edited Playing for Real with Mary Luckhurst (Palgrave, 2010), which is a collection of interviews with high-profile actors who have portrayed real people on stage and screen. Interviewees included Ian McKellen, Eileen Atkins, David Morrissey and Joseph Mydell. I continued to pursue my interest in the challenges of playing real people in my monograph, Acting in Documentary Theatre, which was published by Palgrave in 2013. Including new interview material with over forty actors, directors and writers, my book was the first to explore the challenges of acting in documentary theatre.

Recent Research Papers:

• June 2023: ‘The Actor in the Doc’, Documentary Theatre: New Perspectives and Practices Symposium, University of Galway, Ireland
• March 2023: ‘Giving evidence: documentary theatre and approaches to listening’, Comparative Drama Conference, Orlando, Florida, USA
• April 2022: ‘Performing oral testimony: tribunal theatre and approaches to listening’, Performing Oral History Symposium, Greenwich University
• March 2022: ‘Documentary theatre performance: modes of listening’, Concordia University, Montreal
• December 2021: ‘Playing Real People on Stage and Screen’, Université de Picardie Jules Verne 
• December 2021: ‘La question du jeu dans les théâtres documentaires’, Artcena, Paris
• March 2020: ‘Actor Training for Television Performance’, Visiting Researcher Seminar Series, LAMDA

Publications

Selected publications

Books

• The Theatre-Maker’s R&D Sourcebook, co-edited with Katherine Graham, Mark Love-Smith and Karen Quigley, Bloomsbury, forthcoming.
• Exploring Television Acting, co-edited with Christopher Hogg (Bloomsbury, 2018)
• Acting in British Television, with Christopher Hogg (Palgrave Macmillan, 2017)
• Acting in Documentary Theatre (Palgrave Macmillan, 2013)
• Playing for Real: Actors on Playing Real People, co-edited with Mary Luckhurst (Palgrave Macmillan, 2010)

Chapters

• ‘R&D at the National Theatre Studio: London Road’, The Theatre-Maker’s R&D Sourcebook, co-edited with Katherine Graham, Mark Love-Smith and Karen Quigley, Bloomsbury, forthcoming. 
• ‘Storytelling and Stand-up: The Ephemeral Performances of Daniel Kitson’, Theatre Fandom, ed. Kirsty Sedgman (University of Iowa Press, forthcoming).
• ‘'The Organic and the Technical': A Psychophysical Approach to Television Acting’, Exploring Television Acting, ed. Tom Cantrell and Christopher Hogg (Bloomsbury, 2018).

Articles 

• 'Scenes from the Inquiry: Tribunal theatre and the act of listening', Research in Drama Education (RiDE): The Journal for Applied Performance, (forthcoming)
• ‘Document[ary] Theatre: Acting with facts / Théâtre documentaire - Jouer à partir de faits réels’ (trans. Kenza Jernite), Thaêtre. Marion Boudier and Chloé Déchery (ed.) (2022)
• ‘Directing Actors in Continuing Drama: Meaning-making and Creative Labour’, Critical Studies in Television (2018)
• ‘Returning to an Old Question: What Do Television Actors Do When They Act’, with Christopher Hogg, Critical Studies in Television (2016)
• '"In the doc": Acting Processes in Brian Hill's docudrama, Consent', Journal of British Cinema and Television (2016)

External activities

Memberships

Member of York Minster Mystery Plays Charity.

Between 2006-2015, I was a member of the Board of Governors of York Theatre Royal.

Practice as Research: Documentary Theatre

I edited Clocking In: Life in the Chocolate City, a professionally produced documentary play which was directed by Katie Posner and produced by Pilot Theatre. Working with students in the Department of Theatre, Film and Television, I edited the play from interviews conducted with York residents who had worked in Rowntree’s and Terry’s chocolate factories. It was performed in a site-specific venue, York Cocoa House, for 12 sell-out performances in Summer 2013. It was also live-streamed by Pilot TV and was watched in 10 countries. The production was also recorded and is available to view on YouTube (https://www.youtube.com/watch?v=bhjiOTtk9YE). To date it has been watched by over 2,000 people. I also adapted the play for BBC Radio, and it has been aired several times on BBC Radio York over the past year, and is available via the BBC’s website (http://www.bbc.co.uk/programmes/p01xs8nm).