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Professor Tim Howell

Biography

Tim Howell specializes in the analysis of new music, especially from Finland. An internationally recognized authority on the music of Sibelius, his research has now broadened to encompass contemporary Finnish music as reflected in two major publications: After Sibelius: Studies in Finnish Music (Ashgate, 2006) and Kaija Saariaho: Visions, Narratives, Dialogues (Ashgate, September 2011). 

After Sibelius: Studies in Finnish Music, the first survey of Finnish musical modernism in English, has been highly acclaimed. Music Research Forum described it as ‘an elegant, concise and penetrating work that places this music within a larger European context while addressing the difficult question of what is ‘Finnishness’ in music’.   Tim Howell provides an engaging investigation into Finnish music and combines elements of composer biography and detailed analysis within the broader context of cultural and national identity. The book consists of a collection of eight individual composer studies that investigate the historical position and compositional characteristics of a representative selection of leading figures, ranging from the beginning of the twentieth century to the present day. These potentially self-contained studies subscribe to a larger picture, which explains the Sibelian legacy, the effect of this considerable influence on subsequent generations and its lasting consequences: an internationally acclaimed school of contemporary music.

Kaija Saariaho: Visions, Narratives, Dialogues (Edited by Tim Howell with Jon Hargreaves and Michael Rofe) is the first symposium book in English to be dedicated exclusively to this single figure. Scholars from both the UK and Saariaho’s native Finland bring a range of perspectives to her richly varied output. Uncovering the compositional, historical, cultural and sociological issues that have resulted in such critical acclaim lies at the heart of this collection of essays. Saariaho’s approach to composition is an inter-disciplinary one; it embraces a number of art forms – visual, literary and musical – in works that explore a creative dialogue between image, continuity and time.  The grouping of these essays into three main strands – ‘visions’, ‘narratives’ and ‘dialogues’ – reflects the wide range of Saariaho’s creative preoccupations while subscribing to a carefully structured succession of commentaries. 

Career

After graduating from Southampton University, Tim Howell studied with Professor Arnold Whittall for the MMus in Theory & Analysis at King's College, London, while working as an Editorial Assistant on The New Grove Dictionary of Music and Musicians. Having gained the MMus with distinction, submitting a thesis on Sibelius' Tapiola, he pursued Doctoral Research on all the Symphonies and Tone-Poems of Sibelius at Southampton University, under the supervision of Professor Peter Evans, and held a visiting Research Fellowship at the University of Helsinki, working with Professor Erik Tawastsjerna. That thesis, Jean Sibelius: Progressive Techniques in the Symphonies and Tone-Poems, was published by Garland Press and led to numerous publications, conference contributions and visiting lectures – most notably at the Sibelius Academy in Helsinki. Having taught at the Guildhall School of Music & Drama and the West London Institute of Higher Education, he joined the Music Department at York in 1986. Tim Howell contributed a chapter, 'Sibelius the Progressive', for the Cambridge University Press Sibelius Studies volume, was an editor and contributor to A Companion to Contemporary Musical Thought and has published articles in Music Analysis, The British Journal of Music Education, The Dutch Journal of Music Theory, Music and Letters, Finnish Music Quarterly and Tempo. He has regularly written reviews of music books for Music and Letters and the British Journal of Aesthetics.

Dr Tim Howell

Contact details

Professor Tim Howell
Department of Music
University of York
Heslington
York
YO10 5DD

Tel: +44 (0)1904 32 2433