Professor Chloe Wigston Smith publishes new book on empire and material culture

Posted on 25 May 2024

Warm congratulations to Chloe Wigston Smith on the publication of her book, Novels, Needleworks, and Empire Material Entanglements in the Eighteenth-Century Atlantic World.

In her new book, Novels, Needleworks, and Empire: Material Entanglements in the Eighteenth-Century Atlantic World, Chloe Wigston Smith follows the material and visual images of the Atlantic world that found their way into the hands of women and girls in Britain and early America—in the objects they made, the books they held, the stories they read—and in doing so adjusted and altered the form and content of print and material culture. A range of artifacts made by women, including makers of colour, brought the global into conversation with domestic crafts and consequently placed images of empire and colonialism within arm’s reach. Together, fiction and handicrafts offer new evidence of women’s material contributions to the home’s place within the global eighteenth century, revealing the rich and complex connections between the global and the domestic.

Praise for the book:

“Closely worked, beautifully stitched: a whole new story about imaging the world and the novel in the hands of women in eighteenth-century Britain and early America unfolds before your eyes.” - Ros Ballaster, author of Fabulous Orients: Fictions of the East in England 1668–1785
“Chloe Wigston Smith’s stunning book shows how women fashioned their own imaginative empire with needle, fabric, and thread as well as their printed words.”- Joseph Roach, Yale University
“Beautifully written and illustrated, Novels, Needleworks, and Empire unearths an incredible array of handicrafts that will forever change the ways we think about gender, race, and empire in the Atlantic world—a must-read for anyone interested in the material cultures of the long eighteenth century.”- Crystal B. Lake, author of Artifacts: How We Think and Write About Found Objects
“Inspired by the knits, knots, and webs of eighteenth-century makers, this impressively researched book gathers an astonishing archive of texts and textiles, needlework and novels, to reveal the myriad entanglements between domestic practice and transoceanic empire.” - Sean Silver, Rutgers University