Recent and forthcoming publications

Boriana Alexandrova

Joyce, Multilingualism, and the Ethics of Reading: Deplurabel Muttertongues (Palgrave Macmillan, 2020)

Nicoletta Asciuto

(eds. Nicoletta Asciuto, Nina Engelhardt, Susanne Schregel), 'Above. Degrees of Elevation', Special Issue of Space and Culture, Vol. 23, Issue 4 (2020)

Derek Attridge (Emeritus)

The Experience of Poetry: From Homer's Listeners to Shakespeare's Readers (Oxford University Press, 2019)
(eds. Derek Attridge, Kai Easton) Zoë Wicomb & the Translocal: Writing Scotland and South Africa (Routledge, 2017)

David Attwell

(eds. David Attwell, Annalisa Pes, Susanna Zinato.), Poetics and Politics of Shame in Postcolonial Literature (Routledge, 2019)

Sarah Bezan

(eds. Sarah Bezan and Ina Linge) "Sex and Nature in the Anthropocene", Special Issue of Environmental Humanities Journal (forthcoming, 2022)
(eds. Sarah Bezan, Rich Gorman, and James Smith) "Interdisciplinary Coastal Humanities", Special Issue of Anthropocenes: Human, Inhuman, Posthuman (forthcoming, 2022)
(eds. Sarah Bezan and Robert McKay) Animal Remains (Routledge, 2021)

John Bowen

Nineteen Eighty-Four (Oxford World's Classics, 2021)

Janine Bradbury

Janine is a founding co-editor of BLACK LINES: The Journal of Black British Writing

Francesca Brooks

Poet of the Medieval Modern: Reading the Early Medieval Library with David Jones (Oxford University Press, 2021)

Matthew Campbell

Irish Literature in Transition, 1830–1880 (Cambridge University Press, 2019)

Michele Campopiano

(eds. Michele Campopiano, Christian Etheridge) Medieval Science in the North: Travelling Wisdom, 1000-1500 (Brepols, 2021)
La città considerata come principio ideale delle istorie italiane (Edizioni della Normale, 2021)
Writing the Holy Land: The Franciscans of Mount Zion and the Construction of a Cultural Memory, 1300-1550 (Palgrave Macmillan, 2020)
(eds. Michele Campopiano, Helen Fulton) Anglo-Italian Cultural Relations in the Later Middle Ages (Boydell & Brewer, 2018)
(eds Michele Campopiano, Henry Bainton) Universal Chronicles in the High Middle Ages (Boydell & Brewer, 2017)

Vahni Capildeo

Like a Tree, Walking (Carcanet, 2021)
The Dusty Angel (Oystercatcher, 2021)
Light Site (Periplum Poetry, 2020)
Odyssey Calling (Sad Press, 2020)
Skin Can Hold (Carcanet, 2019)
Venus as a Bear (Carcanet, 2018)
Seas and Trees (Recent Work Press, 2017)

Claire Chambers

(ed.) Dastarkhwan: Food Writing from Muslim South Asia (Beacon Books, 2021)
(ed.) Desi Delicacies: Food Writing from Muslim South Asia (Picador, 2021)
(Claire Chambers, Richard Phillips, Nafhesa Ali, Kristina Diprose, Indrani Karmkar) Storying Relationships: Young British Muslims Speak and Write about Sex and Love (Zed Books, 2021)
(eds. Claire Chambers, Nafhesa Ali, Richard Phillips) A Match Made in Heaven: British Muslim Women Write About Love and Desire (HopeRoad Publishing, 2020)
Making Sense of Contemporary British Muslim Novels (Palgrave Macmillan, 2019)
Rivers of Ink: Selected Essays (Oxford University Press, 2017)

Claire Chambers is the co-editor for two book series: Routledge's Global Literature: Twenty-First Century Perspectives and Manchester University Press's Multicultural Textualities. With Kaiser Haq, she also edits the six-volume Cultural History series for Bloomsbury, A Cultural History of South Asian Literature. Previously, she was Editor-in-Chief of the Journal of Commonwealth Literature (SAGE) for over a decade.

Sophie Coulombeau

(ed.), New Perspectives on the Burney Family, Special Issue (42:2) of Eighteenth-Century Life (Duke University Press, 2018)

Victoria Coulson

Elizabeth Bowen's Psychoanalytic Fiction (Edinburgh University Press, 2020)

Brian Cummings

Bibliophobia (Oxford University Press, 2022)
(eds. Brian Cummings, Ceri Law, Bronwyn Wallace, Alexandra Walsham) Memory and the English Reformation (Cambridge University Press, 2020)
(eds. Brian Cummings, Ceri Law, Karis Riley, Alexandra Walsham) Remembering the Reformation (Routledge, 2020)
The Book of Common Prayer: A Very Short Introduction (Oxford University Press, 2018)

Mary Fairclough

Literature, Electricity and Politics 1740-1840: Electrick Communication Every Where (Macmillan, 2017)

Alice Hall

The Routledge Companion to Literature and Disability (Routledge, 2020)

Alice is the editor of Liverpool University Press's Representations: Health, Disability, Culture and Society series. This series includes works on disability, illness, ageing, sexuality, gender, race, affect, care, technology, and the body as spectacle. It encompasses a broad historical range, from the Early Modern period to the present day, and engages with a rich variety of cultural forms including films, novels, comics, medical texts and public exhibitions.

Shazia Jagot

Shazia Jagot is a co-editor of the international journal, postmedieval which publishes theoretically driven scholarship on premodernity and its ongoing reverberations. Contributions to the journal are characterised by conceptual adventure, stylistic experiment, political urgency, or surprising encounter.

Holly James-Maddocks

(eds. Margaret Connolly, Holly James-Maddocks and Derek Pearsall) Scribal Cultures in Late Medieval England (York Medieval Press, 2022)
(co-author Ann E. Nichols) An Index of Images in English Manuscripts: Cambridge II (Harvey Miller Publishers, 2022)

Holly is co-editor, with Orietta Da Rold, of the book series York Manuscript and Early Print Studies, for York Medieval Press (an imprint of Boydell & Brewer)

Kevin Killeen

Kevin Killeen is the editor of Renaissance Studies, a multi-disciplinary journal which publishes articles and editions of documents on all aspects of Renaissance history and culture. The articles range over the history, art, architecture, religion, literature, and languages of Europe during the period.

Alexandra Kingston-Reese

Art Essays (University of Iowa Press, 2021)
Contemporary Novelists and the Aesthetics of Twenty-First-Century American Life, (University of Iowa Press, 2020)

Alexandra Kingston-Reese is the editor of ASAP/J, the open-access platform of ASAP/Journal, the scholarly publication of the Association for the Study of the Arts of the Present. Like the association and print journal it serves, ASAP/J explores new developments in a variety of post-1960 arts, including literature, plastic and visual arts, digital arts, music and sound art, performance, architecture and design, mixed media and intermedia arts, and so on. ASAP/J provides a forum for dialogue among and between scholars and practitioners of the contemporary, and it seeks to advance our collective knowledge of our own elusive contemporaneity.

Nicola McDonald

Resident Aliens in Later Medieval England (Brepols, 2017)

Jon Mee

(eds. Jon Mee, Matthew Sangster) Remediating the 1820s (Edinburgh University Press, Edinburgh Critical Studies in Romanticism, forthcoming 2022)
(eds. Jon Mee, Matthew Sangster) Institutions of Literature, 1700-1900 (Cambridge University Press, forthcoming 2022)
(eds. Jon Mee, James Grande) William Hazlitt, The Spirit of Controversy: and Other Essays (Oxford World's Classics, 2021)

Juliana Mensah

Castles from Cobwebs (Saraband, 2021)

Emilie Morin

Beckett's Political Imagination (Cambridge University Press, August 2017)

Emilie Morin is co-editor of the Clemson University Press book series Modernist Constellations, and is on the Editorial Board of Samuel Beckett Today/Aujourd'hui, a journal that fosters dialogue on Beckett across languages and cultures.

Alison O'Byrne

(eds. Alison O'Byrne, Jon Stobart) John Tallis's London Street Views. Special Roundtable in The Journal of Victorian Culture 22:3 (2017)

Melissa Oliver-Powell

PEPSI AND THE PILL: Motherhood, Politics and Film in Britain and France, 1958-1969 (Berghahn Books, 2022)

Hannah Roche

The Outside Thing: Modernist Lesbian Romance (Columbia University Press, 2019)

Freya Sierhuis

Russ Leo, Katrin Roeder, and Freya Sierhuis, eds., Fulke Greville and the Literary Culture of the English Renaissance (OUP, 2018)

Freya Sierhuis and Brian Cummings, Fulke Greville and the Arts, Special Issue of the Sidney Journal (2017)

Helen Smith

(eds. Helen Smith, Simon Ditchfield, Conversions: Gender and religious change in early modern Europe (Manchester University Press, Jan 2017)

Elizabeth Tyler

Medieval Historical Writing: Britain and Ireland, 500-1500 (Cambridge University Press, 2019)
England in Europe: English Royal Women and Literary Patronage, c.1000 - c.1150, (University of Toronto Press, 2017)

Richard Walsh

Fictionality as Rhetoric, Special issue of Style, Vol. 53, No. 4 (2020).
(eds. Richard Walsh, Divya Dwivedi, Henrik Nielsen) Narratology and Ideology: Negotiating Context, Form, and Theory in Postcolonial Narratives (Ohio State University Press, 2018)
(eds. Richard Walsh, Susan Stepney) Narrating Complexity (Springer, 2018)

Jim Watt

British Orientalisms, 1759-1835 (Cambridge University Press, 2019)

JT Welsch

The Selling and Self-Regulation of Contemporary Poetry (Anthem, 2020)
(eds. JT Welsch, Ágnes Lehóczky) Wretched Strangers: Borders Movements Homes (Boiler House, 2018)

Claire Westall

The Rites of Cricket and Caribbean Literature (Palgrave 2021)
(eds. Michelle Kelly, Claire Westsall) Prison Writing and the Literary World: Imprisonment, Institutionality and Questions of Literary Practice (Routledge, 2020)
(ed.) Special Issue of Journal of Postcolonial Writing, Resistant Resources/Resources of Resistance: World-Literature, World-Ecology and Energetic Materialism (Issue 3, Volume 53, 2017)

Chloe Wigston Smith

(eds. Chloe Wigston Smith, Beth Fowkes Tobin) Small Things in the Eighteenth Century: The Political and Personal Value of the Miniature (forthcoming, 2022)
(eds. Chloe Wigston Smith, Serena Dyer) Material Literacy in Eighteenth-Century Britain (Bloomsbury, 2020)

James Williams

(eds. James Williams, Anna Barton) The Edinburgh Companion to Nonsense (Edinburgh University Press, 2021)
Edward Lear (Liverpool University Press, 2018)

James Williams is an editor of the Cambridge Quarterly, an OUP journal of literary criticism which also publishes articles on cinema, the visual arts, and music. Founded in 1965, Cambridge Quarterly was conceived as the successor to the famous Scrutiny, but quickly established its editorial independence. It aims, without sacrifice of scholarly standards, to engage readers outside as well as inside the academic profession.

Lauren Working