Recent and forthcoming publications
- (eds. Nicoletta Asciuto, Nina Engelhardt, Susanne Schregel), 'Above. Degrees of Elevation', Special Issue of Space and Culture, Vol. 23, Issue 4 (2020)
Derek Attridge (Emeritus)
- (eds. Sarah Bezan and Robert McKay) Animal Remains (forthcoming, 2022)
- (eds. Sarah Bezan and Ina Linge) "Sex and Nature in the Anthropocene", Special Issue of Environmental Humanities Journal (forthcoming, 2022)
- (eds. Sarah Bezan, Rich Gorman, and James Smith) "Interdisciplinary Coastal Humanities", Special Issue of Anthropocenes: Human, Inhuman, Posthuman (forthcoming, 2022)
- (eds. Michele Campopiano, Christian Etheridge) Medieval Science in the North: Travelling Wisdom, 1000-1500 (Brepols, 2021)
- La città considerata come principio ideale delle istorie italiane (Edizioni della Normale, 2021)
- Writing the Holy Land: The Franciscans of Mount Zion and the Construction of a Cultural Memory, 1300-1550 (Palgrave Macmillan, 2020)
- (eds. Michele Campopiano, Helen Fulton) Anglo-Italian Cultural Relations in the Later Middle Ages (Boydell & Brewer, 2018)
- (eds Michele Campopiano, Henry Bainton) Universal Chronicles in the High Middle Ages (Boydell & Brewer, 2017)
- (ed.) Dastarkhwan: Food Writing from Muslim South Asia (Beacon Books, 2021)
- (ed.) Desi Delicacies: Food Writing from Muslim South Asia (Picador, 2021)
- (Claire Chambers, Richard Phillips, Nafhesa Ali, Kristina Diprose, Indrani Karmkar) Storying Relationships: Young British Muslims Speak and Write about Sex and Love (Zed Books, 2021)
- (eds. Claire Chambers, Nafhesa Ali, Richard Phillips) A Match Made in Heaven: British Muslim Women Write About Love and Desire (HopeRoad Publishing, 2020)
- Making Sense of Contemporary British Muslim Novels (Palgrave Macmillan, 2019)
- Rivers of Ink: Selected Essays (Oxford University Press, 2017)
Claire Chambers is the co-editor for two book series: Routledge's Global Literature: Twenty-First Century Perspectives and Manchester University Press's Multicultural Textualities. With Kaiser Haq, she also edits the six-volume Cultural History series for Bloomsbury, A Cultural History of South Asian Literature. Previously, she was Editor-in-Chief of the Journal of Commonwealth Literature (SAGE) for over a decade.
- Bibliophobia (Oxford University Press, 2022)
- (eds. Brian Cummings, Ceri Law, Bronwyn Wallace, Alexandra Walsham) Memory and the English Reformation (Cambridge University Press, 2020)
- (eds. Brian Cummings, Ceri Law, Karis Riley, Alexandra Walsham) Remembering the Reformation (Routledge, 2020)
- The Book of Common Prayer: A Very Short Introduction (Oxford University Press, 2018)
Alice is the editor of Liverpool University Press's Representations: Health, Disability, Culture and Society series. This series includes works on disability, illness, ageing, sexuality, gender, race, affect, care, technology, and the body as spectacle. It encompasses a broad historical range, from the Early Modern period to the present day, and engages with a rich variety of cultural forms including films, novels, comics, medical texts and public exhibitions.
Shazia Jagot is a co-editor of the international journal, postmedieval
which publishes theoretically driven scholarship on premodernity and its ongoing reverberations. Contributions to the journal are characterised by conceptual adventure, stylistic experiment, political urgency, or surprising encounter.
Kevin Killeen is the editor of Renaissance Studies, a multi-disciplinary journal which publishes articles and editions of documents on all aspects of Renaissance history and culture. The articles range over the history, art, architecture, religion, literature, and languages of Europe during the period.
Alexandra Kingston-Reese is the editor of ASAP/J, the open-access platform of ASAP/Journal, the scholarly publication of the Association for the Study of the Arts of the Present. Like the association and print journal it serves, ASAP/J explores new developments in a variety of post-1960 arts, including literature, plastic and visual arts, digital arts, music and sound art, performance, architecture and design, mixed media and intermedia arts, and so on. ASAP/J provides a forum for dialogue among and between scholars and practitioners of the contemporary, and it seeks to advance our collective knowledge of our own elusive contemporaneity.
(eds. Jon Mee, Matthew Sangster) Remediating the 1820s (Edinburgh University Press, Edinburgh Critical Studies in Romanticism, forthcoming 2022)
(eds. Jon Mee, Matthew Sangster) Institutions of LIterature, 1700-1900 (Cambridge University Press, forthcoming 2022)
Emilie Morin is co-editor of the Clemson University Press book series Modernist Constellations, and is on the Editorial Board of Samuel Beckett Today/Aujourd'hui, a journal that fosters dialogue on Beckett across languages and cultures.
- Fictionality as Rhetoric, Special issue of Style, Vol. 53, No. 4 (2020).
- (eds. Richard Walsh, Divya Dwivedi, Henrik Nielsen) Narratology and Ideology: Negotiating Context, Form, and Theory in Postcolonial Narratives (Ohio State University Press, 2018)
- (eds. Richard Walsh, Susan Stepney) Narrating Complexity (Springer, 2018)
Chloe Wigston Smith
James Williams is an editor of the Cambridge Quarterly, an OUP journal of literary criticism which also publishes articles on cinema, the visual arts, and music. Founded in 1965, Cambridge Quarterly was conceived as the successor to the famous Scrutiny, but quickly established its editorial independence. It aims, without sacrifice of scholarly standards, to engage readers outside as well as inside the academic profession.