As the title implies, this module covers all of the key aspects and stages of filmmaking. And, best of all, you write and direct a film! You may also photograph, light, sound-record or edit it, if you wish - as well as work as a crewmember on the films made by other students. It really is a full-on immersion into the challenges and rewards of cinematic storytelling. Films made for this module invariably feature heavily in the TFTI student-run Luma film festival, and some go on to play in festivals in the UK and beyond. Students choose to tell stories in fiction, non-fiction (documentary) or experimental forms. But whatever type of film you make, you’ll learn much more about the skills, creativity and critical thinking required in an industry that’s constantly evolving. This is a challenging module. Developing, writing, filming and finishing a film is hard work. It’s a test of stamina and nerve, as well as of your creativity and craft. But, as past students will tell you (and your tutors too), there’s nothing quite like seeing your completed work projected on the cinema screen for the first time.
To provide an inter-disciplinary course structure in which students explore all stages of the film creation process
To provide a comprehensive grounding in the application of picture and sound technologies and production methods in the film production process
To provide a basic foundation in market research as it relates to film presentation to determine target markets and gauge effectiveness in meeting specified goals
Module learning outcomes
Upon completion of this module students are expected to be able to:
Demonstrate an understanding of the roles and responsibilities of crew members and their position within the overall film production framework
Demonstrate an ability to develop, refine and present film program concepts in both written and visual form
Demonstrate an ability to analyse story and script requirements to develop an effective production strategy
Demonstrate an ability to prepare for and manage film pre-production including script development, budgeting, scheduling and procurement of required elements for filming
Demonstrate an ability to apply standard production techniques to create visual and aural elements for a film project
Describe the postproduction process including all steps required to finish visual and sound elements
Demonstrate the ability to assemble, refine and finish all visual and aural assets into a complete film program
Demonstrate an understanding of the assessment process to gauge the effectiveness of a program in conveying the intended story or message to a specific target audience
% of module mark
Essay/coursework Preproduction Portfolio
Essay/coursework Presentation: Technical report and reflective discussion about the Production Project
Essay/coursework Production Project: Short Film
Special assessment rules
Additional assessment information
Students receive regular feedback in Autumn term on informal development exercises (e.g., creating a concept outline, presenting a pitch of a story idea, creating a draft treatment, etc.) as part of timetabled seminar sessions.
Essay/coursework Re-assessment: Presentation of Production Project
Essay/coursework Re-assessment: Report 4000 words
Students will receive written feedback on the formative production exercise. They will receive in-person feedback for the formative first draft screenplay/rich treatment exercise in time-tabled sessions with tutors. They will receive detailed written feedback on the portfolio, production project and presentation assessments within 20 working days of the submission dates.
Quinn, E & Counihan, J The Pitch Faber and Faber, 2006, ISBN: 0-571-227414
Katz, Steven, Film Directing Shot by Shot Michael Wiese Productions, 1991, ISBN 0-941188-10-8
Simon, D & Wiese, M Film and Video Budgets, 4th edition, Michael Wiese Productions, 2006, ISBN 1-932-907106
Singleton, R Film Scheduling, 2nd edition, Lone Eagle, 1997, ISBN 0-943-728398
Proferes, N Film Directing Fundamentals, 3rd edition, Focal Press, 2008, ISBN 0-240-809408
Frost, J Cinematography for Directors, Michael Wiese Productions, 2009, ISBN 978-1-932907-55-1
Weston, J Directing Actors, Michael Wiese Productions, 1999, ISBN 0-941-188248
Murch, W In the Blink of an Eye Silman-James Press, 2nd edition, 2001, ISBN 1-879505-62-2
Wyatt, H and Amyes, T Audio Post Production for Television and Film: An introduction to technology and techniques, Focal Press, 2003, ISBN 0-240-51947-7
Yewdall, D.L., Practical Art of Motion Picture Sound Focal Press, 2003, ISBN 0-240-80525-9
Adcock, D et al. Marketing Principles Financial Times/ Prentice Hall, 2004 ISBN: 0-582-849551
Coronavirus (COVID-19): changes to courses
The 2020/21 academic year will start in September. We aim to deliver as much face-to-face teaching as we can, supported by high quality online alternatives where we must.
Find details of the measures we're planning to protect our community.