This module explores the art of the Pre-Raphaelite Brotherhood (founded in 1848), its international dissemination in the second half of the nineteenth century, and its artistic and critical legacy through to the present day. It re-evaluates the Pre-Raphaelite movement in the light of recent exhibitions, scholarly publications, and more popular representations of the group and their activities, including film and television. Can the Pre-Raphaelite Brotherhood be regarded as the first of the modernist avant-garde movements, and how does that change our understanding of the history of modern art? Should older views of Pre-Raphaelitism as an insular or parochial English movement be discarded? What should the agenda be for the next generation of Pre-Raphaelite studies? The module will develop students knowledge and understanding of the history of modern art and of the critical issues surrounding modernism and modernity. It will draw on the abundant primary documentation that is available for the study of English art in this period, much of which has yet to be explored in the scholarly literature.
Module learning outcomes
thorough knowledge of the art of the Pre-Raphaelite Brotherhood and their followers, 1848 - 1914
awareness of the international dissemination of the Pre-Raphaelite movement in the later nineteenth century and of its role in histories of modern art
knowledge and understanding of critical approaches to Pre-Raphaelite art, from 1848 through to the present day
Academic and graduate skills
skill in the interpretation of primary texts (both critical and literary) relevant to the Pre-Raphaelite movement, including the ability to locate and access such texts
skills in visual analysis
ability to critique historical and current approaches to Pre-Raphaelite art
% of module mark
Special assessment rules
% of module mark
Written mark and comments on summative assessment will be distributed to students in week 6 of the term in which the assessed work was submitted.
Tim Barringer, Reading the Pre-Raphaelites, New Haven and London: Yale University Press, 1999 (first published London: Weidenfeld & Nicolson, 1998).
Tim Barringer, Jason Rosenfeld, and Alison Smith (eds), Pre-Raphaelites: Victorian Avant-Garde, exh. cat., London: Tate Publishing, 2012.
Colin Cruise, Pre-Raphaelite Drawing, exh. cat., Birmingham Museums & Art Gallery/ London: Thames & Hudson, 2011.
Jerome J. McGann, Dante Gabriel Rossetti and the Game That Must Be Lost, New Haven and London: Yale University Press, 2000.
Elizabeth Prettejohn, The Art of the Pre-Raphaelites, London: Tate Publishing, 2000. (Paperback ed. 2007)
Elizabeth Prettejohn (ed.), The Cambridge Companion to the Pre-Raphaelites, Cambridge: Cambridge University Press, 2012.
Coronavirus (COVID-19): changes to courses
The 2020/21 academic year will start in September. We aim to deliver as much face-to-face teaching as we can, supported by high quality online alternatives where we must.
Find details of the measures we're planning to protect our community.