Museum practice is a much debated and continually changing field. This module will look at current debates and issues facing museums. We will explore how museums have implemented the often contradictory aims of impressing and educating visitors. A key curatorial skill is how to design displays that meet these aims in ways which keep to professional standards and yet meet the needs of identified audiences.
Occurrence | Teaching cycle |
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A | Spring Term 2020-21 |
Students will:
We will begin with an exploration of the history of museums, their design and their current theoretical basis, not only as sites of wonder (with the wow! factor) but also as heterotopia: separate, uncomfortable worlds that can disturb our understanding of the world outside. We will then look at how museums can be deliberately or unintentionally provocative (the oxymoron museum). We will also look at how museums have often been experimental in how they display the past. The final sessions will place this into the context of the different codes of professional ethics they have to follow and how they have set about categorising their audiences.
Task | Length | % of module mark |
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Essay/coursework Coursework |
N/A | 100 |
None
Task | Length | % of module mark |
---|---|---|
Essay/coursework Coursework |
N/A | 100 |
Feedback will be available in 4 weeks
Lindauer, M (2006) The critical museum visitor. In J Marstine (ed.) New museum theory and practice. Oxford: Blackwell, pp. 203–224.
Marstine, J (2006) Introduction. In J Marstine (ed.) New museum theory and practice. Oxford: Blackwell, pp. 1-36.
Moser, S (2010) The devil is in the detail: museum displays and the creation of knowledge. Museum Anthropology, 33 (1), 22–32.