What are the aesthetic, affective, and political commitments of writing now? How do today’s writers imagine their own artistic practices? Hardly sentimental, contemporary writers explore lived experiences (quotidian and aesthetic) that frequently negate or ironically undercut the profound, verge on the automatic, and are troubled by dissonant feelings. Nevertheless, many current writers reconcile these anxieties with a concerted critical realignment in understanding artistic sensibility, literary form, and the function of the aesthetic to disturb the way we perceive and reflect on art.
These creative interventions into critical practice in turn reflect an increasing dissonance in literary criticism: no longer satisfied with the strictures of critique, we are being encouraged to adopt deep reading, distant reading, and surface reading; to forgo reading suspiciously in favour of reading generously. Taking inspiration from the formal and affective dissonance so prominent in contemporary writing, the aims of this research strand are therefore twofold: to explore the way that dissonance drives contemporary literary experimentation and to question dissonant new forms of literary criticism.
Creative Dissonance's reading group 'Writing Now', meets once a term. Here, we will discuss emergent literary and art criticism on the exigencies of writing now, in conversation with some of the the most significant auto-criticism written by contemporary novelists in recent years. If you would like to join us or would like further information please contact either Alexandra Kingston-Reese (email@example.com) or Bryan Radley (firstname.lastname@example.org).
Friday 25 January 2019, 5.15pm: Join us for a special reading by Belfast-based writer Sam Thompson, followed by an interview and wine reception. Sam's dazzling first novel Communion Town, which is about a kaleidoscopic city, was published in 2012 and longlisted for the Man Booker Prize. His recent second book Jott (2018) draws imaginatively on his grandfather's bond with Samuel Beckett in its exploration of friendship, madness, and modernism. Bowland Auditorium, Berrick Saul Building. All welcome.
Thursday 28 February 2019, 12-1pm: Research seminar with Alix Beeston (Cardiff University): "The Watch-Bitch Now: Reassessing the Natural Woman in Han Kang’s The Vegetarian". The Treehouse, Berrick Saul Building. All welcome.
Wednesday 6 June, 18:00-19:30, The Bowland Auditorium, Berrick Saul Building
Man Booker Prize Winner 2013 Eleanor Catton in Conversation.Friday 11 May, 12:30-13:45, The Treehouse, Berrick Saul Building
Wednesday 29 November, 3-4pm, BS/007, Berrick Saul Building
Autumn Term meeting of 'Writing Now' Reading Group: Giorgio Agamben’s “What is the Contemporary?”: http://folk.uib.no/hlils/TBLR-TOTALT-221015/TBLR-Contemp-Paris2015-27.12.15/Agamben%20Contemporary.pdf & Theodore Martin’s “The Currency of the Contemporary” (from Postwar | Postmodern — and After eds. Jason Gladstone, Andrew Hoberek, and Daniel Worden): https://www.academia.edu/26254542/The_Currency_of_the_Contemporary.