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Reinventing Antiquity

Overview

Whereas 'The Materials of Art & Architecture' is focused on the physical object, 'Reinventing Antiquity' deals with one the most fundamental characteristics of the discipline, its historical perspective. By taking up the theme of the revival and reinterpretation of classical antiquity, lectures and seminars will examine how a history came to be ascribed to art and how ideas about the past have influence in the present. As will become apparent, similar forms can take on dramatically different meanings at certain historical moments. For example we may look at how Christianity adapted pagan building types and iconography for new sacred purposes; at how classicism has been the visual language of political power from Constantine to Mussolini; at how mythic narratives provided resource for the exploration of the unconscious in the modern period. The reception and interpretation of antiquity has been dramatically affected by stunning rediscoveries and archaeological finds which gives us cause to think carefully about treating history in a strictly linear fashion.

Aims

  • A sense of historical perspective, acquired through a study of the transformations of the art of antiquity over two millenia.
  • A broad understanding of the chronology of the classical tradition, from antiquity to the present.
  • The ability to identify and analyse the use of classical types in later art.
  • The ability to employ the appropriate terminology.

Reading

Preliminary reading

  • Donald Strong, Roman Art, prepared for press by J.M.C. Toynbee, revised by Roger Ling (second edition, New Haven and London, 1988)
  • J.B. Ward-Perkins, Roman Imperial Architecture (New Haven and London, 1994)
  • Richard Krautheirmer, Rome, Profile of a City (312-1308) (Princeton, 1980)
  • John Onians,  Bearers of Meaning, The Classical Orders in Antiquity, the Middle Ages, and the Renaissance (Cambridge, 1988)
  • Erwin Panofsky, Idea, A concept in Art Theory, English trans. (New York, 1968)
  • Erwin Panofsky, Renaissance and Renascences (London, 1970)
  • Francis Haskell and Nicholas Penny, Taste and the Antique (New Haven, 1981)
  • Hugh Honour, Neoclassicism (Harmondsworth, 1968)

You are strongly advised to buy this book:

  • John Summerson, The Classical Language of Architecture (revised edition, London, 1980)
Detail of St William window, York Minster

Module information

  • Module title
    Reinventing Antiquity
  • Module number
    HOA00004C

For undergraduates