Jon Mee

Profile

Biography

Jon Mee is Professor of Eighteenth-Century Studies in the English Department.

He came to York in 2013 after seven years at the University of Warwick as Professor of English and over a decade in the English Faculty at Oxford where he was Margaret Candfield Fellow in English at University College and Professor of the Literature of the Romantic Period. Before moving to Oxford, he was a Senior Lecturer at the Australian National University. Jon did his undergraduate degree at the University of Newcastle-upon-Tyne followed by a PhD at Cambridge. He was a Junior Research Fellow at Jesus College, Oxford, before moving to Australia in 1991.

His most recent book is Print, Publicity, and Popular Radicalism: The Laurel of Liberty (Cambridge University Press, 2016). The research for the book was funded by an AHRC fellowship. His previous monograph, Conversable Worlds: Literature, Contention, and Community 1762-1830 (Oxford University Press), based on research funded by a Phillip J. Leverhulme Major Research Fellowship, came out in paperback in 2013. During the course of working on the book, he held fellowships at the University of Chicago (2008), the Yale Centre for British Art (2009), and the Australian National University (2009). He has also held a visiting fellowship at the University of New Delhi.

Jon was PI on the Leverhulme Major Project Grant ‘Networks of Improvement’ from 2011 to 2015. The project was concerned with the circulation of ideas of all kinds through various networks (regional, national, colonial) in the period and also the construction of ideas of the ‘literary’ in relation to such networks. He is presently CI on the AHRC network project ‘Institutions of Literature, 1700-1900,’ run conjointly with Dr. Matthew Sangster at the University of Glasgow. Jon is currently on leave as R. Stanton Avery Distinguished Fellow in the Humanities at the Huntington Library, California and Visiting Associate at the California Institute of Technology (2016-17) where he is writing a book based on the research undertaken for the Networks of Improvement project, primarily focussed on the literary cultures of the manufacturing towns of the north during the Industrial Revolution.

Research

Overview

Jon continues to be interested in various individual authors on whom I have written, Barbauld, Blake, Coleridge, Hazlitt, Keats, Wollstonecraft, and Wordsworth among them, but he is generally interested in supervising dissertations on authors across the 1760-1840 period.

Beyond individual writers, he is interested in constructions of sociability in the period, and the work of literature and the visual arts not only in representing such sociability, but also as something that flowed through and constructed these networks. More generally he is interested in the role of networks in the circulation of knowledge in the period, for instance, via the literary and philosophical societies that still exist in places like Manchester and Newcastle-upon-Tyne and the mapping of literary culture more generally in the Romantic period.

The 1790s remains a particular decade of interest, and he retains a special research focus on the culture of radicalism as it manifested itself in ideas, various forms of social performance (from toasts to monster meetings), and print culture.

Teaching

Other teaching

Jon is open to supervision on any topic in the literature and print culture of the period 1760-1840. He is especially interested in supervising dissertations on topics in the 1790s, anything in relation to the culture of radical politics in the period 1760-1840, and topics related to sociability, the circulation of knowledge, clubs and societies, or constructions of the ‘literary’ in the period 1760-1840. Please don’t hesitate to contact me in relation to any other topic in the long eighteenth century.

Contact details

Jon Mee
English and Related Literature
Kings Manor K/G74

Tel: 44 1904 324986

Publications

Selected publications

Single-authored Books

  • Print, Publicity, and Popular Radicalism: The Laurel of Liberty (Cambridge University Press, 2016).
  • Conversable Worlds Literature, Contention, and Community 1762-1830 (Oxford University Press, 2011). Nominated for the Louis Gottschalk Prize (2012) of the American Society of the Eighteenth-Century Studies and the James Russell Lowell Prize (2012) of the MLA. Scheduled for paperback release in October 2013.
  • The Cambridge Introduction to Charles Dickens (Cambridge University Press, 2010).
  • Romanticism, Enthusiasm, and Regulation: Poetics and the Policing of Culture in the Romantic Period (Oxford University Press, 2003). Paperback, 2005. 

Included in the Oxford Scholarship Online series.
  • Dangerous Enthusiasm: William Blake and the Culture of Radicalism in the 1790s (Oxford University Press, 1992) 251pp. Paperback, 1994. An extract was reproduced in the Longman Critical Reader William Blake (1998), pp. 43-50, edited and introduced by John Lucas, and also in Blake’s Poetry and Designs, 2nd ed., Mary Lynn Johnson and John E. Grant (eds) (Norton 2007).

 Included in the Oxford Scholarship Online series.

Co-authored Books

  • with Sarah Haggarty, Songs of Innocence and of Experience Readers’ Guides series (Palgrave, 2011).

Edited collections of essays and editions of primary texts

  • Ed. with David Fallon, Romanticism and Revolution: A Reader(Blackwell, 2011).
  • Ed. with Colin Jones and Josephine McDonagh, A Tale of Two Cities and the French Revolution (Palgrave 2009).
  • Ed. with Tone Brekke, Mary Wollstonecraft, Letters from Denmark, Sweden, and Norway, Oxford World's Classics (Oxford University Press, 2009).
  • Ed. with Sarah Haggarty, Blake and Conflict (Palgrave, 2008).
  • Ed. with John Barrell, Trials for Treason and Sedition, 1792-4, 8 vols (Pickering and Chatto, 2006-7).
  • Ed. with Thomas Keymer, The Cambridge Companion to English Literature, 1740-1830  (Cambridge University Press, 2004).
  • Ed. with Iain McCalman and Clive Hurst, Charles Dickens, Barnaby Rudge (Oxford World’s Classics, 2003).
  • Ed. The Selected Letters of John Keats, revised edition with introduction and notes, (Oxford World’s Classics, 2002).

 Credited in the Jane Campion film Bright Star.
  • Co-editor with Iain McCalman (General editor), Gillian Russell, and Clara Tuite, An Oxford Companion to the Romantic Age (Oxford University Press, 1999).

Chapters in Books

  • Treason, Seditious Libel, and Literature in the Romantic Period,’ Oxford Handbooks Online. Oct 2016
  • ‘The Buzz about The Bee: Periodicals and the Idea of the Conversation of Culture at the end of the Eighteenth Century,’ in Before Blackwood’s: Scottish Journalism in the Age of Enlightenment, ed. Alex Benchimol, Rhona Brown and David E. Shuttleton (Pickering and Chatto, 2015), pp. 63-74.
  • ‘The Novel and the War of Ideas, 1790-1804’ in Oxford History of the Novel in English, general editor Patrick Parrinder, Volume 2, ed. Peter Garside and Karen O’Brien (Oxford University Press, 2015), pp. 199-215.
  •  ‘A good Cambrio-Briton’: Hester Thrale Piozzi, Helen Maria Williams, and the Welsh Sublime in the 1790s’ for "Footsteps of Liberty and Revolt": Essays on Wales and the French Revolution, ed. Mary-Ann Constantine and Dafydd Johnston (University of Wales Press, 2013), pp. 213-30.
  • 'Morals, Manners and Liberty: British Radicals and Perceptions of America in the 1790s' in The American Experiment and the Idea of Democracy in British Culture, 1776-1914, ed. Ella Dzelzainis and Ruth Livesey (Ashgate, forthcoming 2013).
  •  ‘Turning things around Together: Enlightenment and Conversation’ forRepresenting Humanity in the Age of Enlightenment, ed. Ned Curthoys, Alex Cook, and Shino Konish (Pickering and Chatto, 2013) pp. 53-63.
  • ‘Dickens and Ways of Seeing the French Revolution: A Tale of Two Cities' in Reading Historical Fiction: The Revenant and Remembered Past, ed. Kate Mitchell and Nicola Parsons (Palgrave, 2013), pp. 172-186.
  • With Saree Makdisi, ‘”Mutual Interchange”: Life, Liberty, and Community’ in Re-Envisioning Blake, ed. Mark Crosby, Troy Patenaude, Angus Whitehead (Palgrave, 2012), pp. 13-29.
  • 'Popular Radical Culture' in The Cambridge Companion to British Writing on the French Revolution, 1789-1800, ed. Pamela Clemit (Cambridge University Press, 2011), pp. 117-128.
  • ‘”The Press and Danger of the Crowd”: Godwin, Thelwall and the Counter-Public Sphere’ in Robert Manaquis and Victoria Myers (eds)Godwinian Moments: From Enlightenment to Romanticism (University of Toronto Press, 2011), pp. 83-102.
  • 'Introduction' with Josephine McDonagh and Colin Jones in Mee, Jones, and McDonagh as above 2009.
  • ‘The Dungeon and the Cell’: The Prison Verse of Coleridge and Thelwall in Steve Poole (ed.) John Thelwall: Radical Romantic and Acquitted Felon (Pickering and Chatto 2009), pp. 107-116.
  • 'Introduction' with Sarah Haggarty in Haggarty and Mee as above, pp. 1-11.
  • 'A Little Less Conversation, A Little More Action: Blake, Mutuality, and Converse' in Haggarty and Mee as above, pp. 126-143.
  • ‘Barnaby Rudge’ in A Companion to Dickens, ed. David Parroissien (Blackwell, 2008), chap. 23.
  • 'The Magician No Conjuror and the Political Alchemy of the 1790s'  inUnrespectable Radicals: Essays in Honour of Iain McCalman, ed. Michael T. Davis and Paul A. Pickering (Ashgate, 2007), pp. 41-55.
  • ‘Policing Enthusiasm in the Romantic Period: Literary Periodicals and the “Rational” public Sphere’ in Spheres of Influence: Intellectual and Cultural Publics from Shakespeare to Habermas, ed. Alex Benichimol and Willy Maley (Peter Lang, 2007), pp. 175-195.
  • ‘”Severe Contentions of Friendship”: Conversation, contention, and dispute’ in Repossessing the Romantic Past: Essays Celebrating the Work of Marilyn Butler, ed. Heather Glen and Paul Hamilton (Cambridge, 2006), pp. 21-39.
  • ‘Bloody Blake: Nation and Circulation’ in Blake, Nation and Empire, ed. David Worrall and Steve Clark (Palgrave-Macmillan, 2006), pp. 63-82.
  • with Mark Crosby, ‘”This Soldierlike Danger”: William Blake’s Trial for Sedition’ in Resisting Napoleon: The British Response to the Threat of Invasion, 1797-1815, ed. Mark Philp (Ashgate, 2006), pp. 111-124.
  • ‘”Images of truth new born”: Iolo, William Blake, and the Literary radicalism of the 1790s’ in Rattleskull Genuis: The Many Faces of Iolo Morganwg,  ed. Geraint Jenkins (University of Wales Press, 2005), pp. 173-93.
  • ’”A Bold and Outspoken Man”: The Strange Career of Charles Pigott II’ in Cultures of Whiggism: New Essays on English Literature and Culture in the Long Eighteenth Century, ed. David Womersley (University of Delaware Press, 2005), pp. 330-50.
  • ‘Blake and the poetics of enthusiasm’ in The Cambridge Companion to Literature, 1740-1832, ed. Keymer and Mee (Cambridge, 2004), pp. 194-210.
  • ‘Temporality and the Transition to Modernity in A Suitable Boy’ inVikram Seth: An Anthology of Recent Criticism, ed. GJV Prasad (Pencraft International, 2004), pp. 108-121.
  • ‘Libertines and Radicals in the 1790s: The Strange Case of Charles Pigott I’ in Libertine Enlightenment: Sex, Liberty and Licence in the Eighteenth Century, ed. Peter Cryle and Lisa O’Connell (Palgrave, 2004), pp. 183-203.


  •  ‘Millenial Visions’ in The Enlightenment World, ed. Martin Fitzpatrick, Peter Jones, Iain McCalman, and Christa Knelwolf (Routledge, 2004), pp. 536-550.


  •  ‘After Midnight: The Novel in the 1980s and 1990s’ in Illustrated History of Indian Literature in English, ed. Arvind Krishna Mehrotra, (Permanent Black, 2003), pp. 318-36.
  • with Shyamala A. Narayan, ‘Novelists of the 1950s and 1960s’ inIllustrated History of Indian Literature in English, ed. Arvind Krishna Mehrotra, (Permanent Black, 2003), pp. 219-31.

  • ‘Blake’s Politics in History’ in The Cambridge Companion to Blake, ed. Morris Eaves (Cambridge University Press 2003), pp. 133-149.

  • ‘”The Burthen of the Mystery”: Imagination and Difference in The Shadow Lines’ in Amitav Ghosh: A Critical Companion, ed. Tabish Khair (Permanent Black, 2003), pp. 90-108.


  • ‘“Portentous as the written word”: Blake’s Illustrations to Night Thoughts’ in Prophetic Character: Essays on William Blake in Honour of John E. Grant, ed. Alexander Gourlay (Locust Hill Press, 2002), pp. 171-203.
  • ‘The Strange Career of Richard “Citizen” Lee’ in British Literary Radicalism, 1650-1830: From Revolution to Revolution, ed. Timothy Morton and Nigel Smith (Cambridge University Press, 2002), pp. 151-166.
  • ‘“Reciprocal Expressions of Kindness”: Robert Merry at the Limits of Sociability’ in Romantic Sociability: Social Networks and Literary Culture in Britain, 1770-1840, ed. Gillian Russell and Clara Tuite (Cambridge University Press, 2002), pp. 104-122.


  • ‘History in a Pickle’ in The Fiction of St Stephens, ed. Aditya Bhattarcharjea and Lola Chatterjee (Ravi Dayal, New Delhi, 2000), pp. 101-16.
  •  ‘Austen’s treacherous ivory’ in Post-colonial Jane Austen, ed. You-Me Park and Rajeswari Sunder Rajan (Routledge 2000), pp. 74-92.
  • ‘Innocence and Experience’ in Companion to Literature from Milton to Blake, ed. David Womersley (Blackwells 2000), pp. 402-7.
  • ‘The Political Showman at Home: Reflections on Popular Radicalism and Print Culture in the 1790s’ in Radicalism and Revolution in Britain 1775-1848: Essays in Honour of Malcolm I. Thomis, ed. M. T. Davis(Macmillan, 2000), pp. 41-55.

  • ‘Language’ in The Oxford Companion to the Romanticism Age, ed. Iain McCalman et al (Oxford University Press 1999), pp. 369-78.
  • ’”The Doom of Tyrants”: William Blake, Richard “Citizen” Lee, and the Millenarian Public Sphere’ in Blake, Politics, History, ed. Jackie Di Salvo, Tony Rosso, and Christopher Z. Hobson (Garland, 1998), pp. 97-114.


  • ‘Is there an Antinomian in the House?’ in Historicizing Blake, ed. Steve Clarke and David Worrall (Macmillan, 1994), pp. 43-58.
  • ‘”Examples of Safe Printing”: Censorship and Popular Radical Literature in the1790s’ in Literature and Censorship, ed. Nigel Smith (D. S. Brewer, 1993), pp.81-95.
  • ‘William Blake and John Wright: Two Ex-Swedenborgians’ in Imagining Romanticism: Essays on English and Australian Romanticisms, ed. Deirdre Coleman and Peter Otto (Locust Hill, 1992), pp. 73-84.



Articles in Refereed Journals


Guest editor of special edition of Journal of Eighteenth-Century Studies. 38.4 (December 2015). Single authored: ‘Introduction,’ 475-82. Co-authored article with Jennifer Wilkes: ‘Transpennine Enlightenment: The Literary and Philosophical Societies and Knowledge Networks in the North 1781-1830,’ 599-612.

  • “‘Mutual intercourse’ and ‘licentious discussion’ in The Microcosm of London, 1808-1811.” The London Journal, 37: 3 (November 2012), 196-214.
  • "'The Use of Conversation': William Godwin's Conversable World and Romantic Sociability" Studies in Romanticism, 50 (Winter 2011), 567-590.
  • ‘“Mopping Up Spilt Religion”: The Problem of Enthusiasm,’Romanticism on the Net, 25 (2002).
  • ‘Not at Home in English?: India’s Foreign-Returned Fictions,’ The Round Table, 362 (2001), 711-720.


  • ‘Anxieties of Enthusiasm, Coleridge, Prophecy, and Popular Politics in the 1790s’, Huntington Library Quarterly 60 (Winter 1998) 1-25. This collection of essays was also published separately in book-form asEnthusiasm and Enlightenment in Europe, 1650-1850, ed. Lawrence E. Klein and Anthony J. la Vopa (Huntington Library, 1999).
  • ‘After Midnight: The Indian Novel in English of the 1980s and 90s’,Postcolonial Studies 1 (1998) 127-141. This article was reprinted inRethinking Indian English Literature, ed. Prafulla Kar  and U. M. Nanavati, (Pencraft International, New Delhi, 1999).
  • “‘itihasa, thus it was’: Mukul Kesavan’s Looking through Glass and the Rewriting of History,” ARIEL: A Review of International Literature in English, 29 (1998), 145-161.
  •  

‘“The Insidious Poison of Secret Influence”: A New Historical Context for Blake’s "Sick Rose"’, Eighteenth-Century Life, 22 (1998) 111-122.
  • ‘Apocalypse and Ambivalence: The Politics of Millenarian Discourse in the 1790s’, South Atlantic Quarterly, 95 (1996) 671-697.

  • ‘The Radical Enthusiasm of Blake's The Marriage of Heaven and Hell’,British Journal for Eighteenth-Century Studies, 14 (1991), 51-60.