Profile

Biography

MA, PhD (CANTAB), FSA

Christopher Norton is a Professor in History of Art, and a member of the Centre for Medieval Studies.

Research

Overview

Christopher Norton's research interests cover a wide range of topics relating to ecclesiastical art and architecture in England and France from the seventh century to the sixteenth, but with a particular focus on the twelfth to fourteenth centuries. Initially focussing on medieval decorated pavements, he has published major studies on English and French material. He has also published widely on the art and architecture of the monastic orders (notably the Benedictines, Cistercians and Dominicans), including manuscripts, panel paintings, sculpture and architecture. In recent years he has been concentrating on the extremely rich medieval heritage of Yorkshire and Northern Britain, notably York Minster. His research on the St William window in the Minster (one of the largest stained glass windows in Europe, dating to c. 1415) made possible a re-organisation of the panels during the recent renovation so as to return the window to its original state. He is now involved in the renovation of the famous east window of the Minster, and is currently working on an English Heritage funded project to reconstruct the damaged eleventh and twelfth century Minster.

Research group(s)

• Medieval Art and Medievalisms
  
• Stained Glass Studies

Supervision

Awarded

• Helen Birkett, 'The hagiographical works of Jocelin of Furness: text and context' (Medieval Studies, co-supervised by Dr J. Wogan-Browne) -
  
• Gotz Echtenacher, 'Aesthetic aspects of medieval stone dressing in England: the twelfth-century crypt of York Minster'
  
• Jaqueline Hall, 'Croxden Abbey: buildings and community' (Medieval Studies, co-supervised by Dr J. Grenville)
  
• Abigail Wheatley, 'The idea of the castle in medieval England' (Medieval Studies, co-supervised by Prof. F Riddy)
  

In Progress

• Joanne Dillon, 'The Lost Dimension: Medieval Window Lead – A Study of Sources, Craft and Conservation' (jointly supervised with Sarah Brown) 


  
• Anya Heilpern, 'Medieval stained glass at Winchester Cathedral' (jointly supervised with Sarah Brown) 

  
• Peter Martin, 'The European stained glass trade, with Special Reference to the trade between the Rhineland and the United Kingdom 1820-1835' (jointly supervised with Sarah Brown) 


  
• Hilary Moxon, 'The Stained Glass of the Chapter House in York Minster' (jointly supervised with Tim Ayers)
  
• David Reid, 'The twelfth-century glass of York Minster' (jointly supervised with Tim Ayers) 


  
• Harry Stirrup, 'Monastic Artists at Work: A Thematic Study of Liturgical Book Illustration in England c. 1125-75'

Publications

Selected publications

Books

• Cistercian Art and Architecture in the British Isles (with W.D. Park, eds) (Cambridge University Press, 1986)
  
• Dominican Painting in East Anglia: The Thornham Parva Retable and the musée de Cluny Frontal (with W.D. Park and P. Binski) (Woodbridge: Boydell and Brewer, 1987)
  
• Carreaux de pavement du Moyen Âge et de la Renaissance (Paris: Musée Carnavalet, 1992)
  
• Archbishop Thomas of Bayeux and the Norman Cathedral at York (Borthwick Institute: York, 2001)
  
• St William of York (Woodbridge, 2006)
  

Articles

• 'Liber specialis et preciosus: a late twelfth-century illuminated Life of St Cuthbert', in P. Binski and W. Noel, eds, New Offerings, Ancient Treasures: Studies in Medieval Art for George Henderson (Sutton: Stroud, 2001), 210-34.
  

Teaching

Undergraduate

• The Age of Cathedrals: Medieval Architecture in England, 1050-1300
• Church, College and Castle c.1250-1450
• European Art of the High Middle
• The English Country House

Postgraduate

• Monastic Patronage of the Arts
• Art and Imagery in York Minster

External activities