Research students

Our many postgraduate researchers enhance the intellectual diversity and vitality of the Department.

Their work spans all of the Department's academic specialisms, and many are engaged in research at leading museums and galleries.

Contact us

Department of History of Art

history-of-art@york.ac.uk
+44 (0)1904 322978

Section of photograph taken of Jackson Pollock's 'Mural'. Flickr: Phil Roeder

York Summer Theory Institute

Our annual summer event celebrates postgraduate research.

Over five days postgraduate students from all over the world meet and develop new perspectives on the year's chosen theme.

Read about the 2019 event

Our students

Student Thesis title

Cristina Alfonsin Barreiro
PhD

The Vulliamy workshop at Pall Mall – 100 years of creating luxury in London

Haifa Alkthiri
PhD

 The Question of Identity in the Life and Career of Mohammed Al-Saleem (1967-1997)

Dareen Alorflly
PhD

21, 39 Jeddah Art: The influence of cultural identity, education, and globalism on contemporary art in Saudi Arabia (2013-present)

Lauren Beck
PhD

Moral Allegories and Gendered Spaces: Representing Women in Strasbourg Cathedral

Susie Beckham
PhD

Reassessing the Pre-Raphaelite label (1848-2022)

Martin Brook
PhD

Charles Rutherston - The North of England's forgotten modernist pioneer? A case study into the collection and reception of modern art in the North of England, c.1900-1945

Richard Burrows
PhD

Reinterpreting Kazimir Malevich’s Planity Series and Arkhitektony Experiments

Nigel Burt
PhD

The Two ‘Authors’ of Work: Ford Madox Brown and Thomas Edward Plint

Amélie Castellanet
PhD

The Haptic Sense in the Dada movement

Pamela Chapman
PhD

York - the architectural palimpsest - an investigation.

William Mead Cheek
PhD

Anglo-Saxon architectural sculpture in its social, aesthetic, and theological context

Francisco Camacho-Herrera
PhD

Enduring Associations: The Art of Alter-Communities

Yiran Chen
PhD

Transboundary: Contemporary Chinese ink art in a global context

Clara Cheung
PhD

A Comparative study of the representations of Hong Kong, Malaysian and Singaporean Art (Art of the Commonwealth states in South-East Asia) over international exhibition platforms from 1960s to early 1980s

Jordan Cook
PhD

Settings and Subjects in Early Netherlandish Painting

Helena Cox
PhD

The Impact of British Art in Bohemia/Czech Lands around 1900

Leila Danesh
PhD

The Development of Mihrab Design and Ornamentation in the Central and West Asia: Circa 7th to 14th Centuries

Kathryn Davies
PhD

Reinstating Mrs Jameson: revolutionary iconographer and Revival shaper

John Dickinson
MA by Research

The interpretive value of a humorous approach to the work of Pieter Bruegel the Elder

Caitlin Doley
PhD 

Beyond Superficial Senescence: Art and Old Age in Victorian and Edwardian Britain

Nicholas Dunn-McAfee
PhD

‘Venus surrounded by mirrors, reflecting her in different views': uncertain desires and aesthetic uncertainties in D. G. Rossetti’s double-works

Parshati Dutta
PhD

Enabling Feminist Readings of History Through Architecture

Alexander Echlin
PhD

The Architecture of Lord Burlington reconsidered

Dawn Faizey Webster
PhD

To what extent did the architecture of the early modern grammar school affect, impede or complexify its formal educational and broader social learning functions?

George Field
PhD 

Do works of art produced on the island of Capri between 1850 and 1945 share unifying principles besides subject, style and national origin?

Georgia Gerson
PhD

The Hall of Mirrors: A re-assessment of value making practices in the contemporary art market through the lens of NFTs

Izabella Gill Brown
PhD

British Victorian Busts

Eliza Goodpasture
PhD

Female Friendship Among English Artists at the Turn of the Twentieth Century

Suzanne Heskin
PhD

Reforming Female Autonomy: Fifteenth Century Sisters of the Franciscan Observant Reform in the Upper Rhine

Nausheen Hoosein
PhD

From Umayyad Madinat al-Zahra to Almohad Seville: The Reuse of Caliphal Capitals in the Twelfth Century

Debbie Innes
PhD

The architectural, artistic and social histories of the New Gallery, Regent Street 1888-1910

Abi Jubb
PhD

The Sized Body: The British Women’s Fashion Industry Production of the Modern Middle Class Consumer circa 1870-1930.

Sarah Kemp
MA by Research

The influence of trade, textiles, and patronage on the early portraiture of Thomas Gainsborough from his Ipswich period.

Stephen Kerr
PhD

The impetus provided by the Ernst-May-Siedlungen housing projects in Frankfurt during the Weimar Republic to the development of dweller-designed domestic interiors in Modernist mass-housing.

Midori Kono
PhD

Descriptiveness and Decorativeness: The Style and Reception of Full-length, Life-sized Portraits by James McNeill Whistler

Peter Kos
PhD

Bartholomeus Spranger’s Mythological Paintings: Gender Play in Rudolfine Prague

Alyson Lai
PhD

German Expressionism and the Aporia of Time, c.1900-c.1925

Sarah Lear
PhD

Designs in coloured light’: The religious stained glass iconographies of Karl Parsons (1884-1934)

Man Li
PhD

‘Peach Blossom Spring’ and ‘Great Unity’: the Representation of Utopia in Contemporary Chinese Art after 1978

Pepper Li
PhD

Beyond Black and White: a comparative study of German Expressionist and Chinese Modernist woodcut prints during the interwar period

Sam Love
PhD

Glamour, English Art, and the Re-Enchantment of High Society, 1918-39

Layla Lozano
PhD

Early British Women Travellers to Ravenna and Their Impact Upon Early Studies of Byzantine Art

Sammi Lukic-Scott
PhD 

The Novelty of Reproduction: Translating Fine Art into Two-and-a-Half-Dimensions in the Long Nineteenth Century

Eduardo de Maio
PhD

A study of the phenomenon of the influence of English Pre-Raphaelitism in Italy on criticism, but especially on art.

Lucia Martin
MA by Research

Fashioning Identity through Material Culture and Architectural Legacy

Christiane Matt
PhD

The Myths of the Origins of Architecture Reconsidered

Peter Molloy
PhD

From Ritual to Rapture: representations of the quest myth in mid-Victorian illustration.

Kim Newell
PhD

Shifting patterns of taste and identity through iconographic analyses of mid-Victorian ceramics

Isaac Nugent
PhD

Simulating antiquity: Monochrome faux antique façade painting from a cross European perspective (1530-1630) 

Aikaterina Perdiki
PhD

A cross-cultural examination of late medieval circular world maps from the western and eastern traditions

Natalia Polunina

Reflections of European Medieval Revival styles in Russian nineteenth-century architecture

Candace Reilly
PhD

The Eye of Its Beholder: A Medical and Scientific Study of Religious Visuality and Image Agency in Thirteenth Century England

Adrian Robbins
PhD

A Different View of Turner: Private Collectors, Agnew's and the Art Market, 1852-1906

Madeline Salzman
PhD

The Meaning, Iconography and Role of Angels in Anglo-Saxon England

Giulia Schirripa
PhD

Body and Words: the assimilation of Carla Lonzi’s theory in the work of Simona Weller, Suzanne
Santoro, Marinella Senatore, and Claire Fontaine

Gemma Shearwood
PhD

Commemorating Imperialism in Eighteenth-Century Westminster Abbey

Chris Sheldon
PhD

The Persistence of Modernity; Railways Art and Relativity’

Michael Smith
PhD

John Flaxman: art, design and the intermedial body'

Helen Sutcliffe
PhD

An Ecological Art History: The Seventeenth-Century Cloth Industry and the Environment in the Low Countries

Susan Thale
PhD

Research topic: Re-threading the Modernist Grid in the Work of Bice Lazzari and Carlo Scarpa

Leah Tharpe
PhD

Mining (in) the gap: Nineteenth Century Traveller-Artists in the Anglo-Prone Frontier

Greg Tiani
PhD

Camp-ulsive Beauty: Freak Reconfigurations of Surrealism in American Queer Photography (1985-2016)

Robyn Valentine
PhD

'Convent Thoughts': Community and Religion in the Works of Charles Allston Collins.'

Junxia Wang
PhD

The interplay of publicity images and art practice in the early Edwardian Britain

Elizabeth Waring
PhD

'Most Women have no Characters at all': Gender and Agency in Godfrey Kneller’s Portraits of Women 1676-1723

Eleanor Wilson
PhD

Self-Fashioning and International Artistic Patronage of Merchants in Pre- and Post- Reformation London: The Merchant Taylors 1400-1610

Yuxuan Xiao
PhD

The Privately Founded Contemporary Art Museum’s Social Responsibility and Cultural Function in China

Wen Yao
PhD

An in-depth analysis of Stella Snead’s paintings, photographs and photomontages, contextualized within her connection to the wider art world in a transnational and comparative perspective

Jun Zhang
PhD

Contemporary Artworks Based on Chinese Characters Since the 85 New Wave

Xinrui Zhang
PhD

Ecosystems in Contemporary Art in China: Participation and Engagement, 1995-2019

 

Contact us

Department of History of Art

history-of-art@york.ac.uk
+44 (0)1904 322978